#CE6BA6Super Pink (#CE6BA6) is a mid-tone, saturated magenta with an OKLCH hue of 345°, lightness 0.66 and chroma 0.143. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #CE6BA6 |
|---|---|
| RGB | rgb(206, 107, 166) |
| HSL | hsl(324, 50%, 61%) |
| HSV | hsv(324, 48%, 81%) |
| CMYK | cmyk(0%, 48%, 19%, 19%) |
| CIE Lab | lab(58.4 46.3 -14) |
| OKLCH | oklch(0.660 0.143 345) |
Under warm 2700K interior light Super Pink shifts subtly: drifts toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#d0679b — ΔE 1.6, shifts subtly: drifts toward pink#d26ba3 — ΔE 0.9, shifts subtly: leans toward red#ce6ba6 — ΔE 0.0, is virtually unchanged#ce6ca8 — ΔE 0.3, is virtually unchangedTest Super Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.34:1 and against black 6.28:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe2f1 · #fca2d5 · #ce6ba6 · #ad5289 · #813163 · #581040
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f69a9e · #e581a0 · #ce6ba6 · #ab61a7 · #8757a1 · #654e94
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#daa291 · #ce6ba6 · #a55485 · #97310f · #641d4b · #421204
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#55e1ad · #ce6ba6 · #856877 · #71405c · #4e253e · #2a1020
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e6f6ee · #ce6ba6 · #84717b · #404a46 · #281621 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5ef · #bfcec6 · #91a29a · #142a21 · #000803 · #ce6ba6
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4dbb6 · #d092c9 · #ce6ba6 · #1c7074 · #344636 · #14071e
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d8fceb · #ce6ba6 · #59863d · #005353 · #0c2400 · #000202
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f6f4d3 · #ce6ba6 · #827a15 · #005066 · #00212d · #050300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffefda · #ce6ba6 · #9e6c13 · #00563c · #001c41 · #000301
#D981B4 · #E496C2 · #EEABD0 · #F8C0DE · #FFD7EC
#AD5489 · #8D3E6E · #6E2954 · #50143B · #340123
#C375A2 · #B77E9E · #AA8699
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.