#D65E93Flirty Rose (#D65E93) is a mid-tone, saturated pink with an OKLCH hue of 355°, lightness 0.65 and chroma 0.161. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #D65E93 |
|---|---|
| RGB | rgb(214, 94, 147) |
| HSL | hsl(334, 59%, 60%) |
| HSV | hsv(334, 56%, 84%) |
| CMYK | cmyk(0%, 56%, 31%, 16%) |
| CIE Lab | lab(56.5 52.6 -5.7) |
| OKLCH | oklch(0.646 0.161 355) |
Under warm 2700K interior light Flirty Rose shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#d85a89 — ΔE 1.5, shifts subtly: leans toward red#da5e90 — ΔE 0.9, shifts subtly: leans toward red#d65e93 — ΔE 0.0, is virtually unchanged#d75f95 — ΔE 0.4, is virtually unchangedTest Flirty Rose in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.57:1 and against black 5.88:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdbe8 · #ff9ac3 · #d65e93 · #b34577 · #862354 · #5b0033
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f89287 · #ea778a · #d65e93 · #b35499 · #8f4b98 · #6c4390
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d89d81 · #d65e93 · #ab4974 · #893800 · #680e3d · #3b1300
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e4be · #d65e93 · #85626f · #733851 · #501e34 · #2a0a19
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e3f7f1 · #bba2aa · #d65e93 · #697773 · #3f2831 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f5f1 · #becec9 · #90a29d · #132b25 · #000905 · #d65e93
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d1fdf0 · #2fc3a5 · #d65e93 · #008770 · #00392e · #0d0003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d1fdf0 · #73bf76 · #d65e93 · #00838e · #003c08 · #000304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f0f6d2 · #a7b34b · #d65e93 · #007dae · #00344c · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff0d2 · #cfa23b · #d65e93 · #008770 · #0c2673 · #000402
#E176A3 · #EC8DB3 · #F5A4C4 · #FFBBD4 · #FFD7E5
#B44879 · #933460 · #741F48 · #550931 · #36001C
#C96B92 · #BB7691 · #AB8090
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.