#C35B99Llilacquered (#C35B99) is a mid-tone, saturated magenta with an OKLCH hue of 346°, lightness 0.62 and chroma 0.151. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #C35B99 |
|---|---|
| RGB | rgb(195, 91, 153) |
| HSL | hsl(324, 46%, 56%) |
| HSV | hsv(324, 53%, 76%) |
| CMYK | cmyk(0%, 53%, 22%, 24%) |
| CIE Lab | lab(53.4 48.8 -14.2) |
| OKLCH | oklch(0.618 0.151 346) |
Under warm 2700K interior light Llilacquered shifts subtly: drifts toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#c5588f — ΔE 1.5, shifts subtly: drifts toward pink#c75b96 — ΔE 0.9, shifts subtly: drifts toward pink#c35b99 — ΔE 0.0, is virtually unchanged#c35b9b — ΔE 0.3, is virtually unchangedTest Llilacquered in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.98:1 and against black 5.28:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffcce7 · #f092c7 · #c35b99 · #a2427c · #762157 · #4d0035
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#eb8a8e · #da7192 · #c35b99 · #a0529b · #7c4995 · #5a418a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffab92 · #ce9482 · #c35b99 · #9a4678 · #782b5b · #54200f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffe5f2 · #46e2ad · #c35b99 · #795b6b · #663351 · #3d1f30
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e5f7ee · #b09aa5 · #c35b99 · #636e69 · #3a2530 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5ef · #bfcdc6 · #90a199 · #132920 · #000703 · #c35b99
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d7fceb · #46b88f · #c35b99 · #007f5c · #003625 · #070003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d7fceb · #7eb264 · #c35b99 · #007b7c · #153500 · #000202
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f5f4d2 · #aba542 · #c35b99 · #007697 · #003242 · #050300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffefda · #cc953f · #c35b99 · #007f5c · #002a5d · #000301
#D073A9 · #DD8BB9 · #E9A3C9 · #F5BADA · #FFD3EA
#A4477F · #863366 · #69204E · #4E0D37 · #330022
#B86695 · #AB7091 · #9E798D
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.