#C74375Fuchsia Rose (#C74375) is a mid-tone, saturated pink with an OKLCH hue of 1°, lightness 0.58 and chroma 0.172. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #C74375 |
|---|---|
| RGB | rgb(199, 67, 117) |
| HSL | hsl(337, 54%, 52%) |
| HSV | hsv(337, 66%, 78%) |
| CMYK | cmyk(0%, 66%, 41%, 22%) |
| CIE Lab | lab(48.8 56.4 0.6) |
| OKLCH | oklch(0.581 0.172 1) |
Under warm 2700K interior light Fuchsia Rose shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#c83f6d — ΔE 1.2, shifts subtly: leans toward red#cb4273 — ΔE 0.8, shifts subtly: leans toward red#c74375 — ΔE 0.0, is virtually unchanged#c84377 — ΔE 0.4, is virtually unchangedAgainst white it measures 4.68:1 and against black 4.49:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffbcce · #f47fa5 · #c74375 · #a4295b · #76003a · #41001d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#e67d67 · #d95f6b · #c74375 · #a53a7e · #823280 · #602c7a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ff9b59 · #c38a66 · #c74375 · #9c3059 · #78133f · #441c00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e3c9 · #b88f9a · #c74375 · #854258 · #60273b · #381420
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e1f7f2 · #a98d94 · #c74375 · #566461 · #391f27 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f2 · #bccdc9 · #8da19c · #0d2823 · #000504 · #c74375
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dadcb6 · #43c096 · #c74375 · #765987 · #2e3c2a · #220803
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cdfef3 · #4aad68 · #c74375 · #006d7c · #003212 · #000305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecf8d1 · #8aa232 · #c74375 · #00679b · #002b45 · #010200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff1cb · #b59100 · #c74375 · #007163 · #13156e · #000201
#D66189 · #E37D9D · #F098B2 · #FCB2C7 · #FFD2DE
#A83160 · #8B1F4C · #6E0B38 · #510026 · #330015
#B95476 · #AA6077 · #9A6B79
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.