#CF3476Magentarama (#CF3476) is a mid-tone, saturated pink with an OKLCH hue of 360°, lightness 0.58 and chroma 0.197. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #CF3476 |
|---|---|
| RGB | rgb(207, 52, 118) |
| HSL | hsl(334, 62%, 51%) |
| HSV | hsv(334, 75%, 81%) |
| CMYK | cmyk(0%, 75%, 43%, 19%) |
| CIE Lab | lab(48.3 64.1 -0.6) |
| OKLCH | oklch(0.580 0.197 360) |
Under warm 2700K interior light Magentarama shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#d02f6e — ΔE 1.2, shifts subtly: leans toward red#d33374 — ΔE 0.8, shifts subtly: leans toward red#cf3476 — ΔE 0.0, is virtually unchanged#d03478 — ΔE 0.3, is virtually unchangedTest Magentarama in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.77:1 and against black 4.41:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffbbcf · #fc76a6 · #cf3476 · #ab145c · #75003b · #41001d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ee7560 · #e25567 · #cf3476 · #ab2e83 · #862986 · #622582
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ff9b5a · #c9875e · #cf3476 · #a2235a · #7d003f · #441c00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e3c7 · #bb8d9a · #cf3476 · #8a3d59 · #64223b · #3a1020
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dff8f2 · #ab8c94 · #cf3476 · #546561 · #3a1d27 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f2 · #bccdc9 · #8ea19c · #0d2823 · #000504 · #cf3476
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dcddb7 · #38c4b1 · #cf3476 · #765882 · #2b3a29 · #1d061f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c9fff3 · #3aaf5e · #cf3476 · #006d7b · #003211 · #000305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecf8cc · #8aa205 · #cf3476 · #006799 · #002b44 · #010200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff1cc · #b69000 · #cf3476 · #007162 · #110b77 · #000201
#DD578A · #EB769E · #F792B3 · #FFB1C8 · #FFD2DE
#B02161 · #910B4C · #710039 · #510027 · #330016
#C04B77 · #AF5B78 · #9E6879
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.