#B14566Sangria (#B14566) is a mid-tone, saturated pink with an OKLCH hue of 4°, lightness 0.54 and chroma 0.144. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #B14566 |
|---|---|
| RGB | rgb(177, 69, 102) |
| HSL | hsl(342, 44%, 48%) |
| HSV | hsv(342, 61%, 69%) |
| CMYK | cmyk(0%, 61%, 42%, 31%) |
| CIE Lab | lab(45 47 3.8) |
| OKLCH | oklch(0.545 0.144 4) |
Under warm 2700K interior light Sangria shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1), so it is a lighting-stable choice.
#b2425f — ΔE 1.0, shifts subtly: leans toward red#b44564 — ΔE 0.7, shifts subtly: leans toward red#b14566 — ΔE 0.0, is virtually unchanged#b14568 — ΔE 0.3, is virtually unchangedAgainst white it measures 5.37:1 and against black 3.91:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffa9be · #de7c95 · #b14566 · #902c4d · #64062d · #330012
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ce7a62 · #c25f61 · #b14566 · #92396c · #73306b · #552765
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f09248 · #b08263 · #b14566 · #88304c · #661532 · #361700
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#11e2cf · #a8868d · #b14566 · #753d4c · #512230 · #2c0e17
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e4f7f3 · #9b8488 · #b14566 · #4d5a57 · #321c21 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f3 · #bccdca · #8da19d · #0d2824 · #000504 · #b14566
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ced8b4 · #47afb5 · #96799a · #b14566 · #4e6652 · #190518
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d3fcf5 · #4a9f6a · #b14566 · #006272 · #002c14 · #000407
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ebf7d8 · #7c9643 · #b14566 · #005b90 · #002641 · #010300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fbf2d2 · #a18929 · #b14566 · #00655c · #16155c · #000201
#C2617C · #D27D92 · #E298A9 · #F2B3C1 · #FFCFD9
#963553 · #7C2541 · #621530 · #4A0520 · #310011
#A55168 · #985B6A · #8B646C
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.