#D0748BCharm (#D0748B) is a mid-tone, soft pink with an OKLCH hue of 5°, lightness 0.67 and chroma 0.118. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #D0748B |
|---|---|
| RGB | rgb(208, 116, 139) |
| HSL | hsl(345, 49%, 64%) |
| HSV | hsv(345, 44%, 82%) |
| CMYK | cmyk(0%, 44%, 33%, 18%) |
| CIE Lab | lab(59.7 38.6 3.5) |
| OKLCH | oklch(0.667 0.118 5) |
Under warm 2700K interior light Charm shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#d37082 — ΔE 1.4, shifts subtly: leans toward red#d47488 — ΔE 0.8, shifts subtly: leans toward red#d0748b — ΔE 0.0, is virtually unchanged#d0758d — ΔE 0.3, is virtually unchangedTest Charm in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.2:1 and against black 6.55:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe6eb · #feaabd · #d0748b · #af5b70 · #833a4e · #5a1a2e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#eea590 · #e18c8b · #d0748b · #b2668d · #935a8a · #744e82
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d1ab8f · #d0748b · #a75c6f · #884600 · #662639 · #3d1c00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#58ddce · #d0748b · #876b71 · #734550 · #502a33 · #2c141a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e6f6f3 · #d0748b · #867478 · #424b4a · #29181c · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f3 · #bccdca · #8da19d · #0d2824 · #000504 · #d0748b
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#cfd9b5 · #bca0ba · #d0748b · #1e7677 · #394b3b · #1c071a
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d9faf5 · #d0748b · #478a60 · #005261 · #002510 · #000407
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecf6dd · #d0748b · #6d8342 · #004d7c · #001f38 · #010300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f9f2d8 · #d0748b · #8b7931 · #00554e · #13134b · #000201
#DB889B · #E59CAC · #EFB0BD · #F8C4CF · #FFD9E1
#AE5C71 · #8E4558 · #6E2F41 · #501B2B · #340616
#C57C8D · #B9838F · #AC8A91
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.