#E6718DLoveland (#E6718D) is a light, saturated pink with an OKLCH hue of 7°, lightness 0.69 and chroma 0.147. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #E6718D |
|---|---|
| RGB | rgb(230, 113, 141) |
| HSL | hsl(346, 70%, 67%) |
| HSV | hsv(346, 51%, 90%) |
| CMYK | cmyk(0%, 51%, 39%, 10%) |
| CIE Lab | lab(62.1 48.1 6.3) |
| OKLCH | oklch(0.692 0.147 7) |
Under warm 2700K interior light Loveland shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#e86d83 — ΔE 1.4, shifts subtly: leans toward orange#eb718a — ΔE 1.0, shifts subtly: leans toward orange#e6718d — ΔE 0.0, is virtually unchanged#e7728f — ΔE 0.4, is virtually unchangedTest Loveland in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.95:1 and against black 7.11:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecef · #ffb0bf · #e6718d · #be546f · #91334d · #66122e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffa98d · #f78b88 · #e6718d · #c66495 · #a45996 · #824f90
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e0b08c · #e6718d · #ba5b72 · #914d00 · #76233b · #452100
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e1d3 · #e6718d · #937077 · #824754 · #5d2c37 · #36171e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e3f7f4 · #e6718d · #917a7e · #44514f · #2e181d · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f3 · #bccdcb · #8da19e · #0c2825 · #000504 · #e6718d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e7edc7 · #5eedc3 · #e6718d · #6c4978 · #283727 · #1c0702
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d2fcf6 · #e6718d · #379663 · #005768 · #002713 · #000407
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eaf8d8 · #e6718d · #6e8d39 · #005186 · #00213c · #010400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#faf2d1 · #e6718d · #958016 · #005a54 · #160d58 · #000201
#EE869D · #F69AAD · #FDAEBE · #FFC5CF · #FFDBE1
#C15872 · #9D4159 · #7B2A40 · #5A1329 · #3B0014
#D87C90 · #CA8693 · #BA8F97
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.