#E46B71Redstone (#E46B71) is a mid-tone, saturated red with an OKLCH hue of 19°, lightness 0.67 and chroma 0.151. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #E46B71 |
|---|---|
| RGB | rgb(228, 107, 113) |
| HSL | hsl(357, 69%, 66%) |
| HSV | hsv(357, 53%, 89%) |
| CMYK | cmyk(0%, 53%, 50%, 11%) |
| CIE Lab | lab(60.1 47.5 19.5) |
| OKLCH | oklch(0.674 0.151 19) |
Under warm 2700K interior light Redstone shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#e66669 — ΔE 1.2, shifts subtly: leans toward orange#e86b6e — ΔE 0.8, shifts subtly: leans toward orange#e46b71 — ΔE 0.0, is virtually unchanged#e56c73 — ΔE 0.4, is virtually unchangedTest Redstone in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.16:1 and against black 6.64:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeaea · #ffafaf · #e46b71 · #c15258 · #933039 · #670d1c
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f8a574 · #f1886e · #e46b71 · #c75c7c · #a75081 · #864680
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d4ae80 · #e46b71 · #b8555a · #7f5000 · #731c26 · #3a2100
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00dfe6 · #e46b71 · #8f6b6b · #7e4244 · #5a2729 · #331214
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e2f6f7 · #e46b71 · #8d7574 · #404d4e · #2d1717 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f6 · #bbcdcd · #8ca0a1 · #0b2728 · #000506 · #e46b71
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dcd8b2 · #c49cb4 · #e46b71 · #1d7191 · #354161 · #050d28
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d0e8c8 · #8ed4e7 · #e46b71 · #668d7a · #3a465a · #1b0412
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e3fadd · #e46b71 · #548c43 · #07459a · #001a4a · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f4f5d2 · #e46b71 · #828114 · #005558 · #210355 · #000202
#ED8184 · #F59698 · #FDACAC · #FFC3C3 · #FFDBDA
#C0535A · #9D3D43 · #7B272E · #5A101A · #3B0008
#D67779 · #C68181 · #B68989
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.