#D75E6CBerrylicious (#D75E6C) is a mid-tone, saturated red with an OKLCH hue of 15°, lightness 0.64 and chroma 0.152. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #D75E6C |
|---|---|
| RGB | rgb(215, 94, 108) |
| HSL | hsl(353, 60%, 61%) |
| HSV | hsv(353, 56%, 84%) |
| CMYK | cmyk(0%, 56%, 50%, 16%) |
| CIE Lab | lab(55.6 48.8 16) |
| OKLCH | oklch(0.636 0.152 15) |
Under warm 2700K interior light Berrylicious shifts subtly: leans toward orange; in north-facing or shaded light it shifts subtly: drifts toward pink. Overall drift across common illuminants is small (max ΔE ≈ 1.1), so it is a lighting-stable choice.
#d95a64 — ΔE 1.1, shifts subtly: leans toward orange#db5e69 — ΔE 0.9, shifts subtly: leans toward orange#d75e6c — ΔE 0.0, is virtually unchanged#d85f6e — ΔE 0.4, shifts subtly: drifts toward pinkTest Berrylicious in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.68:1 and against black 5.71:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffd8da · #ff9aa2 · #d75e6c · #b44553 · #872334 · #5a0018
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ed986c · #e57a67 · #d75e6c · #b95077 · #99457b · #793c79
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#caa176 · #d75e6c · #ab4954 · #744500 · #670d21 · #2f1800
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e0e1 · #d75e6c · #836062 · #73373d · #4f1c22 · #29090d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e2f7f6 · #b99fa0 · #d75e6c · #667473 · #3f2728 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f5 · #bccdcd · #8ca0a0 · #0b2727 · #000505 · #d75e6c
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#cffcfb · #11bebf · #d75e6c · #008182 · #003737 · #180002
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cffcfb · #4cbf94 · #d75e6c · #007c9e · #003927 · #00050b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e5f9db · #84b868 · #d75e6c · #2870c7 · #002d61 · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f6f4d1 · #b2ab46 · #d75e6c · #008182 · #2d1c6b · #000202
#E27680 · #ED8E95 · #F7A5AA · #FFBDC0 · #FFD7D9
#B54956 · #953442 · #75202E · #570B1B · #38000B
#C96A73 · #BA7579 · #AA7E80
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.