#D1768FMuted Pink (#D1768F) is a mid-tone, soft pink with an OKLCH hue of 3°, lightness 0.67 and chroma 0.117. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #D1768F |
|---|---|
| RGB | rgb(209, 118, 143) |
| HSL | hsl(344, 50%, 64%) |
| HSV | hsv(344, 44%, 82%) |
| CMYK | cmyk(0%, 44%, 32%, 18%) |
| CIE Lab | lab(60.3 38.4 2.2) |
| OKLCH | oklch(0.673 0.117 3) |
Under warm 2700K interior light Muted Pink shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#d47285 — ΔE 1.5, shifts subtly: leans toward red#d5768c — ΔE 0.8, shifts subtly: leans toward red#d1768f — ΔE 0.0, is virtually unchanged#d17791 — ΔE 0.3, is virtually unchangedTest Muted Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.13:1 and against black 6.7:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe9ee · #ffacc0 · #d1768f · #b05d74 · #843c52 · #5b1c31
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f0a794 · #e38d8f · #d1768f · #b36891 · #945c8d · #755185
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d3ac92 · #d1768f · #a85e72 · #8c4601 · #67283c · #3e1d02
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#5bddcb · #d1768f · #886d73 · #744752 · #522b36 · #2d151c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e7f6f3 · #d1768f · #88767a · #434c4b · #29181d · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f3 · #bccdca · #8da19d · #0d2824 · #000504 · #d1768f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d9faf4 · #d1768f · #258d80 · #00574e · #002420 · #110003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d9faf4 · #d1768f · #4c8b60 · #005461 · #00260f · #000305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#edf6dd · #d1768f · #718443 · #004e7b · #002037 · #010200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#faf2d8 · #d1768f · #8e7a33 · #00574e · #11154b · #000201
#DB8A9F · #E59DAF · #EFB1C0 · #F8C5D0 · #FFD9E2
#AF5E75 · #8E475B · #6F3143 · #511B2C · #340717
#C67E90 · #BA8592 · #AE8C93
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.