#CF758AFirst Love (#CF758A) is a mid-tone, soft pink with an OKLCH hue of 6°, lightness 0.67 and chroma 0.115. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #CF758A |
|---|---|
| RGB | rgb(207, 117, 138) |
| HSL | hsl(346, 48%, 64%) |
| HSV | hsv(346, 43%, 81%) |
| CMYK | cmyk(0%, 43%, 33%, 19%) |
| CIE Lab | lab(59.7 37.6 4.2) |
| OKLCH | oklch(0.667 0.115 6) |
Under warm 2700K interior light First Love shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#d27181 — ΔE 1.4, shifts subtly: leans toward orange#d37587 — ΔE 0.8, shifts subtly: leans toward orange#cf758a — ΔE 0.0, is virtually unchanged#cf768c — ΔE 0.3, is virtually unchangedTest First Love in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.2:1 and against black 6.56:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe6eb · #fdaabc · #cf758a · #ae5c6f · #833b4d · #591b2e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#eca690 · #e08d8a · #cf758a · #b2678c · #935a89 · #754f81
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d0ab90 · #cf758a · #a65d6e · #884700 · #652738 · #3c1c01
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#5cdccf · #cf758a · #866c71 · #72454f · #502a33 · #2c1419
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e7f6f3 · #cf758a · #867477 · #424b4a · #29181c · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f3 · #bccdca · #8da19e · #0c2825 · #000504 · #cf758a
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#caddbc · #ba9eb9 · #cf758a · #1c6f7f · #354559 · #1b071a
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d9faf5 · #cf758a · #488a62 · #005262 · #002511 · #000305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecf6de · #cf758a · #6c8345 · #004c7d · #001f39 · #010300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f9f2d9 · #cf758a · #8a7934 · #00554f · #14144a · #000201
#DA899B · #E49DAB · #EEB0BD · #F8C4CE · #FFD9E0
#AD5D70 · #8D4658 · #6E3040 · #501B2A · #340716
#C47D8C · #B8848E · #AC8A91
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.