#EEC0D2Guava Glow (#EEC0D2) is a very light, muted pink with an OKLCH hue of 353°, lightness 0.85 and chroma 0.057. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #EEC0D2 |
|---|---|
| RGB | rgb(238, 192, 210) |
| HSL | hsl(337, 58%, 84%) |
| HSV | hsv(337, 19%, 93%) |
| CMYK | cmyk(0%, 19%, 12%, 7%) |
| CIE Lab | lab(82.1 19.2 -2.8) |
| OKLCH | oklch(0.853 0.057 353) |
Under warm 2700K interior light Guava Glow shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#f4bbc4 — ΔE 2.0, shifts subtly: leans toward red#f5c1ce — ΔE 1.3, shifts subtly: leans toward red#eec0d2 — ΔE 0.0, is virtually unchanged#eec1d5 — ΔE 0.4, shifts subtly: leans toward purpleTest Guava Glow in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.6:1 and against black 13.11:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf3 · #eec0d2 · #bd95a5 · #94717f · #6d4f5b · #492f3a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffced5 · #eec0d2 · #daabcc · #bc9bc3 · #9f8db6 · #837fa6
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#eec0d2 · #c4a89c · #b08093 · #97644d · #704859 · #4e3529
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#eec0d2 · #78bca7 · #96858b · #7d606c · #5c434d · #392930
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eec0d2 · #acb4b1 · #84797d · #464c4a · #251b1f · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#feecf3 · #eec0d2 · #ac959e · #341925 · #0f0005 · #e5529b
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#feecf3 · #eec0d2 · #ac959e · #341925 · #0f0005 · #dec44d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#eef1ca · #eec0d2 · #ce9bd0 · #258a8b · #2f402f · #1a071f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#eec0d2 · #a4b7b1 · #688665 · #00565c · #082507 · #000203
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eec0d2 · #b2b4a4 · #7c8157 · #15516d · #002232 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#eec0d2 · #b9b1a2 · #8e7a53 · #0b5847 · #0d1d3c · #000201
#F1C8D8 · #F4D0DE · #F7D8E4 · #F9E1EA · #FCE9F0
#C49BAB · #9C7886 · #755763 · #513742 · #2F1A23
#E8C3D1 · #E1C6D1 · #DBCAD0
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.