#F5B9D8Manga Pink (#F5B9D8) is a very light, soft magenta with an OKLCH hue of 347°, lightness 0.85 and chroma 0.079. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F5B9D8 |
|---|---|
| RGB | rgb(245, 185, 216) |
| HSL | hsl(329, 75%, 84%) |
| HSV | hsv(329, 24%, 96%) |
| CMYK | cmyk(0%, 24%, 12%, 4%) |
| CIE Lab | lab(81.3 26.3 -7.1) |
| OKLCH | oklch(0.849 0.079 347) |
Under warm 2700K interior light Manga Pink shifts subtly: drifts toward pink; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#fbb4ca — ΔE 2.0, shifts subtly: drifts toward pink#fbbad4 — ΔE 1.2, shifts subtly: drifts toward pink#f5b9d8 — ΔE 0.0, is virtually unchanged#f5badb — ΔE 0.4, shifts subtly: leans toward purpleTest Manga Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.64:1 and against black 12.81:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf5 · #f5b9d8 · #c590ab · #9b6c85 · #734b60 · #4d2b3e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffced9 · #f5b9d8 · #d7a9d1 · #b89bc7 · #9a8cb9 · #7d7fa8
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f5b9d8 · #c5a69c · #ae7e97 · #99614f · #6f465c · #4e3229
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffebf5 · #f5b9d8 · #78bba0 · #9d7f8e · #7a606d · #56444d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f5b9d8 · #abb3af · #83787d · #464c49 · #251a20 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#eaf5f0 · #c0ccc7 · #92a09a · #162820 · #000603 · #f5b9d8
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#edecc6 · #f5b9d8 · #cea4d3 · #279878 · #344733 · #180621
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f5b9d8 · #a3b6ad · #6a855f · #005657 · #0d2501 · #000202
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f5b9d8 · #b2b2a1 · #807e51 · #00526b · #00222f · #040300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f5b9d8 · #baafa0 · #917750 · #0c5841 · #061d3d · #000301
#F7C2DD · #FACBE3 · #FCD4E8 · #FEDDED · #FFE7F3
#CA95B1 · #A1738B · #7A5267 · #553346 · #321726
#EDBED6 · #E5C2D3 · #DDC6D1
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.