#EEBBDDRosecco (#EEBBDD) is a very light, soft magenta with an OKLCH hue of 339°, lightness 0.85 and chroma 0.073. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #EEBBDD |
|---|---|
| RGB | rgb(238, 187, 221) |
| HSL | hsl(320, 60%, 83%) |
| HSV | hsv(320, 21%, 93%) |
| CMYK | cmyk(0%, 21%, 7%, 7%) |
| CIE Lab | lab(81.3 23.7 -9.9) |
| OKLCH | oklch(0.848 0.073 339) |
Under warm 2700K interior light Rosecco shifts subtly: drifts toward pink; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#f4b6cf — ΔE 2.1, shifts subtly: drifts toward pink#f4bcd9 — ΔE 1.1, shifts subtly: leans toward red#eebbdd — ΔE 0.0, is virtually unchanged#eebce0 — ΔE 0.4, shifts subtly: leans toward purpleTest Rosecco in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.64:1 and against black 12.79:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffebf8 · #eebbdd · #bf92b0 · #966e89 · #6f4d64 · #4a2d41
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fecedf · #eebbdd · #d0abd5 · #b29cc8 · #948eb9 · #7880a6
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#eebbdd · #c4a59f · #a9809b · #986056 · #6b4760 · #4d322d
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fcebf6 · #eebbdd · #81b999 · #9a7f91 · #77606f · #54444e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eebbdd · #abb2ae · #82787e · #464b48 · #241b21 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ebf4ef · #c2ccc6 · #95a199 · #1b2921 · #000703 · #eebbdd
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#edf0ca · #eebbdd · #cf9ad0 · #238686 · #314330 · #140823
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#eebbdd · #a5b5ab · #70835c · #005652 · #142300 · #000202
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eebbdd · #b4b1a1 · #847c52 · #005365 · #00232c · #040200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#eebbdd · #baaea1 · #937554 · #1e563b · #001f3a · #000401
#F1C4E2 · #F4CDE7 · #F7D5EB · #FADEF0 · #FDE7F5
#C497B5 · #9C748F · #76546B · #523549 · #301829
#E7BFDA · #E1C3D6 · #D9C7D3
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.