#E6BCCDPink Mist (#E6BCCD) is a very light, muted pink with an OKLCH hue of 352°, lightness 0.84 and chroma 0.053. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #E6BCCD |
|---|---|
| RGB | rgb(230, 188, 205) |
| HSL | hsl(336, 46%, 82%) |
| HSV | hsv(336, 18%, 90%) |
| CMYK | cmyk(0%, 18%, 11%, 10%) |
| CIE Lab | lab(80.3 17.7 -2.8) |
| OKLCH | oklch(0.837 0.053 352) |
Under warm 2700K interior light Pink Mist shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#ecb7c0 — ΔE 1.9, shifts subtly: leans toward red#ecbdc9 — ΔE 1.1, shifts subtly: leans toward red#e6bccd — ΔE 0.0, is virtually unchanged#e6bdd0 — ΔE 0.4, shifts subtly: leans toward purpleTest Pink Mist in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.69:1 and against black 12.44:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf3 · #e6bccd · #bb96a5 · #93727f · #6c505c · #48303a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffced6 · #e6bccd · #d4a6c8 · #b796be · #9988b1 · #7d7aa1
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e6bccd · #bfa397 · #aa7b8f · #935f49 · #6b4455 · #493025
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fae8ef · #e6bccd · #74b6a1 · #9a7b88 · #775d67 · #534148
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e6bccd · #a7afac · #80757a · #444a48 · #241a1e · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fdedf3 · #e6bccd · #ac979f · #361d28 · #110007 · #e5529d
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#fdedf3 · #e6bccd · #ac979f · #361d28 · #110007 · #dec44d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e6bccd · #9fb2ab · #528575 · #085544 · #00241b · #040001
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e6bccd · #9fb2ab · #658261 · #005359 · #082406 · #000203
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e6bccd · #adaf9f · #797d53 · #104f6a · #002130 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e6bccd · #b4ac9d · #8b764f · #085544 · #0c1c3b · #000201
#EAC5D4 · #EECEDB · #F2D6E1 · #F6DFE8 · #FAE8EF
#BE98A7 · #977683 · #715561 · #4E3741 · #2D1A23
#E0BFCC · #DAC2CB · #D4C5CB
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.