#EABCC0Blush Kiss (#EABCC0) is a very light, muted pink with an OKLCH hue of 12°, lightness 0.84 and chroma 0.053. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #EABCC0 |
|---|---|
| RGB | rgb(234, 188, 192) |
| HSL | hsl(355, 52%, 83%) |
| HSV | hsv(355, 20%, 92%) |
| CMYK | cmyk(0%, 20%, 18%, 8%) |
| CIE Lab | lab(80.3 17.1 4.3) |
| OKLCH | oklch(0.837 0.053 12) |
Under warm 2700K interior light Blush Kiss shifts subtly: drifts toward red; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#f0b7b3 — ΔE 1.9, shifts subtly: drifts toward red#f0bdbc — ΔE 1.1, shifts subtly: drifts toward red#eabcc0 — ΔE 0.0, is virtually unchanged#eabdc3 — ΔE 0.4, shifts subtly: leans toward magentaTest Blush Kiss in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.69:1 and against black 12.45:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffedee · #eabcc0 · #bf969a · #967275 · #6f5053 · #4a3032
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffd0c9 · #eabcc0 · #dca4b7 · #c194b1 · #a584a7 · #89769a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#eabcc0 · #bba592 · #ae7b81 · #8c643d · #6f4449 · #463320
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fce8e9 · #eabcc0 · #6bb6b3 · #9c7b7e · #795d5f · #544143
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eabcc0 · #a6afaf · #827576 · #444a4a · #251a1b · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffedee · #eabcc0 · #af9799 · #391e21 · #140003 · #e54d6c
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#ffedee · #eabcc0 · #af9799 · #391e21 · #140003 · #dbc54e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#eabcc0 · #9eb2b1 · #4c8482 · #005453 · #002322 · #070001
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#eabcc0 · #9eb2b1 · #58846e · #005166 · #002516 · #000408
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eabcc0 · #a8b0a2 · #6b815c · #294a70 · #031e3a · #000100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#eabcc0 · #afae9e · #7f7b51 · #005453 · #1a183a · #000202
#EEC5C8 · #F1CED1 · #F5D6D9 · #F8DFE1 · #FCE8EA
#C1989C · #9A7679 · #745558 · #503739 · #2F1A1D
#E3BFC2 · #DDC2C4 · #D6C5C6
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.