#EDC3C5Berry Good (#EDC3C5) is a very light, muted pink with an OKLCH hue of 15°, lightness 0.85 and chroma 0.048. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #EDC3C5 |
|---|---|
| RGB | rgb(237, 195, 197) |
| HSL | hsl(357, 54%, 85%) |
| HSV | hsv(357, 18%, 93%) |
| CMYK | cmyk(0%, 18%, 17%, 7%) |
| CIE Lab | lab(82.4 15.2 4.6) |
| OKLCH | oklch(0.854 0.048 15) |
Under warm 2700K interior light Berry Good shifts subtly: drifts toward red; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#f3beb8 — ΔE 1.9, shifts subtly: drifts toward red#f4c4c1 — ΔE 1.2, shifts subtly: drifts toward red#edc3c5 — ΔE 0.0, is virtually unchanged#edc4c8 — ΔE 0.4, shifts subtly: leans toward magentaTest Berry Good in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.59:1 and against black 13.21:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeded · #edc3c5 · #bc9799 · #937375 · #6d5152 · #483132
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffd5cd · #edc3c5 · #e3a9bb · #c899b4 · #ac89ab · #907b9f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#edc3c5 · #c0ab97 · #b48184 · #906a41 · #74484c · #4a3724
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#edc3c5 · #70bbbb · #988586 · #806162 · #5e4345 · #3b2a2b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#edc3c5 · #abb5b4 · #85797a · #464c4c · #261b1c · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#feedee · #edc3c5 · #ad9899 · #371f21 · #130103 · #e54e66
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#feedee · #edc3c5 · #ad9899 · #371f21 · #130103 · #dbc54e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#edc3c5 · #a3b7b7 · #4f8888 · #005757 · #002424 · #090001
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#edc3c5 · #a3b7b7 · #5a8874 · #085369 · #002618 · #00050b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#edc3c5 · #acb6a8 · #6d8561 · #2d4c73 · #061e3b · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#edc3c5 · #b4b3a3 · #827f55 · #005757 · #1c193b · #000202
#F0CBCC · #F3D2D4 · #F6DADB · #F9E2E3 · #FBEAEA
#C39EA0 · #9B7A7C · #75595A · #50393A · #2F1C1D
#E7C6C7 · #E1C8C9 · #DACBCB
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.