#F1C3C2Channel (#F1C3C2) is a very light, muted red with an OKLCH hue of 20°, lightness 0.86 and chroma 0.053. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F1C3C2 |
|---|---|
| RGB | rgb(241, 195, 194) |
| HSL | hsl(1, 63%, 85%) |
| HSV | hsv(1, 20%, 95%) |
| CMYK | cmyk(0%, 19%, 20%, 5%) |
| CIE Lab | lab(82.7 16.2 6.7) |
| OKLCH | oklch(0.857 0.053 20) |
Under warm 2700K interior light Channel shifts subtly: leans toward orange; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#f7beb5 — ΔE 1.9, shifts subtly: leans toward orange#f8c4be — ΔE 1.2, shifts subtly: leans toward orange#f1c3c2 — ΔE 0.0, is virtually unchanged#f1c4c5 — ΔE 0.4, shifts subtly: leans toward magentaTest Channel in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.58:1 and against black 13.33:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffedec · #f1c3c2 · #bf9796 · #967272 · #6f5050 · #4a3030
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffd6cb · #f1c3c2 · #e5aab8 · #ca99b2 · #af8aa9 · #937b9e
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f1c3c2 · #c0ad97 · #b58281 · #8f6c40 · #754949 · #4a3924
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f1c3c2 · #71bcbf · #998686 · #816261 · #5f4444 · #3c2a2a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f1c3c2 · #acb5b6 · #867a7a · #464d4d · #261b1b · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffedec · #f1c3c2 · #b09998 · #3c2122 · #180203 · #e44e5a
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#ffedec · #f1c3c2 · #b09998 · #3c2122 · #180203 · #dbc54e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f1c3c2 · #a4b8b9 · #50888b · #00575a · #002426 · #050000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f1c3c2 · #a4b8b9 · #588978 · #11526c · #00261b · #00050c
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f1c3c2 · #acb7aa · #6b8664 · #324b74 · #0b1e3c · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f1c3c2 · #b4b5a5 · #7f8157 · #00575a · #1f183a · #000203
#F4CBCA · #F6D2D1 · #F8DAD9 · #FBE2E1 · #FDEAE9
#C79E9D · #9E7A7A · #775858 · #523938 · #301B1B
#EAC6C5 · #E3C9C8 · #DCCBCB
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.