#F1CBCDAbloom (#F1CBCD) is a very light, muted pink with an OKLCH hue of 14°, lightness 0.88 and chroma 0.043. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F1CBCD |
|---|---|
| RGB | rgb(241, 203, 205) |
| HSL | hsl(357, 58%, 87%) |
| HSV | hsv(357, 16%, 95%) |
| CMYK | cmyk(0%, 16%, 15%, 5%) |
| CIE Lab | lab(84.9 13.7 4) |
| OKLCH | oklch(0.875 0.043 14) |
Under warm 2700K interior light Abloom shifts subtly: drifts toward red, gains intensity; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#f8c6bf — ΔE 2.0, shifts subtly: drifts toward red, gains intensity#f8ccc9 — ΔE 1.2, shifts subtly: drifts toward red#f1cbcd — ΔE 0.0, is virtually unchanged#f1ccd0 — ΔE 0.4, shifts subtly: leans toward magentaTest Abloom in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.48:1 and against black 14.16:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffedee · #f1cbcd · #b9999a · #917476 · #6a5253 · #463233
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f1cbcd · #eab0c2 · #cf9fbb · #b38fb3 · #9680a7 · #7b7298
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f1cbcd · #c7b29d · #bb878b · #977047 · #7a4e52 · #503d29
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f1cbcd · #77c2c1 · #9e8b8c · #876769 · #64494b · #412f30
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f1cbcd · #b2bbbb · #8a7e7e · #494f4f · #281c1d · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f1cbcd · #ab9899 · #523c3e · #351f21 · #110103 · #e54d67
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#f1cbcd · #ab9899 · #523c3e · #351f21 · #110103 · #dbc54e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f1cbcd · #a9bebd · #548d8c · #005a5a · #002626 · #090001
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f1cbcd · #a9bebd · #5f8d78 · #0d566c · #002719 · #00050b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f1cbcd · #b3bcae · #728a65 · #304f76 · #07203d · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f1cbcd · #bbbaaa · #878459 · #005a5a · #1d1a3c · #000202
#F3D1D3 · #F5D8D9 · #F7DEE0 · #F9E5E6 · #FBEBEC
#C6A4A6 · #9D8081 · #765C5E · #513C3D · #2E1D1F
#EBCDCF · #E6D0D1 · #E0D2D3
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.