#F2CFDCBallerina (#F2CFDC) is a very light, muted pink with an OKLCH hue of 354°, lightness 0.89 and chroma 0.043. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F2CFDC |
|---|---|
| RGB | rgb(242, 207, 220) |
| HSL | hsl(338, 57%, 88%) |
| HSV | hsv(338, 14%, 95%) |
| CMYK | cmyk(0%, 14%, 9%, 5%) |
| CIE Lab | lab(86.3 14.3 -1.9) |
| OKLCH | oklch(0.888 0.043 354) |
Under warm 2700K interior light Ballerina shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#f9cace — ΔE 2.0, shifts subtly: leans toward red#f9d0d8 — ΔE 1.2, shifts subtly: leans toward red#f2cfdc — ΔE 0.0, is virtually unchanged#f2d0df — ΔE 0.4, shifts subtly: leans toward purpleTest Ballerina in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.43:1 and against black 14.73:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf3 · #f2cfdc · #b699a4 · #8e747e · #68525a · #443239
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f2cfdc · #e6b5d7 · #c8a6ce · #aa97c2 · #8d89b2 · #717ba0
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f2cfdc · #cfb3a6 · #bb8b9e · #a26e57 · #7b5262 · #573e32
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f2cfdc · #83c7b3 · #a08f95 · #886a76 · #664c56 · #433238
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f2cfdc · #b7bfbc · #8c8185 · #4b514f · #271d21 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f2cfdc · #a8969d · #4d3941 · #2f1b24 · #0b0004 · #e5519a
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#f2cfdc · #a8969d · #4d3941 · #2f1b24 · #0b0004 · #dec44d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f2cfdc · #afc2bc · #5d9081 · #135d4c · #00281e · #040001
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f2cfdc · #afc2bc · #6f8e6d · #005b62 · #09280a · #000203
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f2cfdc · #bcbfaf · #84885e · #1c5672 · #002435 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f2cfdc · #c4bcad · #96815a · #135d4c · #101f3e · #000201
#F4D5E0 · #F6DBE4 · #F7E0E9 · #F9E6ED · #FBECF1
#C7A8B3 · #9D828C · #765E67 · #503D44 · #2E1E24
#EDD1DC · #E8D4DB · #E3D6DB
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.