#FDD7E4Pig Pink (#FDD7E4) is a very light, muted pink with an OKLCH hue of 355°, lightness 0.91 and chroma 0.045. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FDD7E4 |
|---|---|
| RGB | rgb(253, 215, 228) |
| HSL | hsl(339, 90%, 92%) |
| HSV | hsv(339, 15%, 99%) |
| CMYK | cmyk(0%, 15%, 10%, 1%) |
| CIE Lab | lab(89.4 15.3 -1.4) |
| OKLCH | oklch(0.915 0.045 355) |
Under warm 2700K interior light Pig Pink shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#ffd1d5 — ΔE 2.1, shifts subtly: leans toward red#ffd8df — ΔE 0.8, shifts subtly: leans toward red#fdd7e4 — ΔE 0.0, is virtually unchanged#fdd8e7 — ΔE 0.4, shifts subtly: leans toward purpleTest Pig Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.31:1 and against black 16.02:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fdd7e4 · #e2beca · #b898a3 · #8f747d · #69525a · #453139
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fdd7e4 · #f0bedf · #d2aed6 · #b49fca · #9790ba · #7a82a8
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fdd7e4 · #d8bcae · #c493a5 · #aa775d · #845969 · #5f4538
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fdd7e4 · #8ad0bd · #a9979d · #90727d · #6e545d · #4a393f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fdd7e4 · #bfc8c5 · #92878a · #4f5553 · #291e22 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fdd7e4 · #aa979d · #503a42 · #321d25 · #0e0105 · #e55095
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#fdd7e4 · #aa979d · #503a42 · #321d25 · #0e0105 · #ddc44e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fdd7e4 · #b9d8bc · #ab8fad · #217d8b · #2a3744 · #18061d
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fdd7e4 · #b7cbc5 · #739474 · #025f67 · #092a0d · #000304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fdd7e4 · #c5c8b7 · #888f65 · #225977 · #002539 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fdd7e4 · #ccc5b6 · #9b8860 · #166151 · #132040 · #000402
#FDDBE7 · #FDE0EA · #FDE4ED · #FDE9F0 · #FDEDF2
#D0AEBA · #A48791 · #7B616A · #543F46 · #2F1E25
#F8DAE4 · #F2DCE3 · #EDDFE3
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.