#FDD0D5Love Fumes (#FDD0D5) is a very light, muted pink with an OKLCH hue of 11°, lightness 0.9 and chroma 0.051. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FDD0D5 |
|---|---|
| RGB | rgb(253, 208, 213) |
| HSL | hsl(353, 92%, 90%) |
| HSV | hsv(353, 18%, 99%) |
| CMYK | cmyk(0%, 18%, 16%, 1%) |
| CIE Lab | lab(87.4 16.6 3.5) |
| OKLCH | oklch(0.898 0.051 11) |
Under warm 2700K interior light Love Fumes shifts subtly: drifts toward red; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#ffcac7 — ΔE 2.0, shifts subtly: drifts toward red#ffd1d1 — ΔE 0.7, shifts subtly: drifts toward red#fdd0d5 — ΔE 0.0, is virtually unchanged#fdd1d8 — ΔE 0.4, shifts subtly: leans toward magentaTest Love Fumes in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.39:1 and against black 15.16:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffedee · #fdd0d5 · #bd979b · #947377 · #6d5054 · #483034
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fdd0d5 · #f1b7cc · #d5a6c5 · #b897bc · #9b88b0 · #7f7aa0
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fdd0d5 · #cfb8a5 · #c28e94 · #a07650 · #81545a · #574230
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fdd0d5 · #7fcac5 · #a59294 · #8d6d71 · #6b4f52 · #463437
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fdd0d5 · #b9c2c2 · #8f8384 · #4c5252 · #291d1f · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fdd0d5 · #ad9799 · #543a3d · #361d20 · #110003 · #e54d70
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#fdd0d5 · #ad9799 · #543a3d · #361d20 · #110003 · #dcc54e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fdd0d5 · #bcd3b3 · #a6849f · #207c94 · #2a3951 · #1b0518
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fdd0d5 · #b1c5c3 · #66927a · #0d5a6e · #002917 · #000408
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fdd0d5 · #bbc3b4 · #7a8e68 · #2f5379 · #04223e · #000100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fdd0d5 · #c3c1b1 · #8e885d · #005e5a · #1c1c3e · #000202
#FDD6DA · #FEDBDF · #FEE1E4 · #FEE6E9 · #FFECEE
#D0A8AD · #A58286 · #7C5E62 · #553C3F · #311D20
#F7D3D7 · #F0D6D8 · #E9D8DA
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.