#F7D5D4Ballet (#F7D5D4) is a very light, muted red with an OKLCH hue of 20°, lightness 0.9 and chroma 0.038. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F7D5D4 |
|---|---|
| RGB | rgb(247, 213, 212) |
| HSL | hsl(2, 69%, 90%) |
| HSV | hsv(2, 14%, 97%) |
| CMYK | cmyk(0%, 14%, 14%, 3%) |
| CIE Lab | lab(88 11.7 4.9) |
| OKLCH | oklch(0.901 0.038 20) |
Under warm 2700K interior light Ballet shifts subtly: leans toward orange, gains intensity; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#fecfc6 — ΔE 2.1, shifts subtly: leans toward orange, gains intensity#fed6d0 — ΔE 1.2, shifts subtly: leans toward orange#f7d5d4 — ΔE 0.0, is virtually unchanged#f7d6d7 — ΔE 0.4, shifts subtly: leans toward magentaTest Ballet in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.36:1 and against black 15.42:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f7d5d4 · #e0c0bf · #b79a99 · #8f7675 · #685352 · #453332
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f7d5d4 · #f4b8c5 · #daa6c0 · #be96b7 · #a287ad · #86799f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f7d5d4 · #cebba4 · #c48f8e · #9d794d · #835655 · #56452f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f7d5d4 · #7fcace · #a69393 · #8f6e6e · #6c5050 · #483635
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f7d5d4 · #bac3c4 · #908483 · #4c5353 · #291e1e · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f7d5d4 · #aa9998 · #513d3d · #332020 · #100202 · #e44e59
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#f7d5d4 · #aa9998 · #513d3d · #332020 · #100202 · #dbc54e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f7d5d4 · #b7d4b7 · #af879e · #1f7697 · #273554 · #210615
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f7d5d4 · #b1c6c7 · #629382 · #1a5973 · #00291d · #00050c
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f7d5d4 · #bac5b7 · #74906e · #38517b · #0e203f · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f7d5d4 · #c2c3b2 · #898b60 · #005d61 · #211a3d · #000203
#F8DAD9 · #F9DFDE · #FAE4E3 · #FBE9E8 · #FCEDED
#CBADAC · #A08685 · #786161 · #523F3E · #2E1F1F
#F2D7D6 · #EDD9D8 · #E7DBDB
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.