#FBD7CCCinderella (#FBD7CC) is a very light, muted red with an OKLCH hue of 38°, lightness 0.91 and chroma 0.043. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FBD7CC |
|---|---|
| RGB | rgb(251, 215, 204) |
| HSL | hsl(14, 85%, 89%) |
| HSV | hsv(14, 19%, 98%) |
| CMYK | cmyk(0%, 14%, 19%, 2%) |
| CIE Lab | lab(88.7 10.8 10.1) |
| OKLCH | oklch(0.906 0.043 38) |
Under warm 2700K interior light Cinderella shifts subtly: leans toward orange, gains intensity; in north-facing or shaded light it shifts subtly: leans toward pink. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#ffd1be — ΔE 1.9, shifts subtly: leans toward orange, gains intensity#ffd8c8 — ΔE 0.9, shifts subtly: leans toward orange#fbd7cc — ΔE 0.0, is virtually unchanged#fbd8cf — ΔE 0.4, shifts subtly: leans toward pinkTest Cinderella in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.34:1 and against black 15.69:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fbd7cc · #e2c1b6 · #b89a91 · #90766e · #6a534c · #46332d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fbd7cc · #f8bbb8 · #e1a8b3 · #c796ad · #ac86a4 · #917799
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fbd7cc · #c9bfa5 · #c49384 · #94804c · #83594c · #52492f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fbd7cc · #83c9dd · #a79690 · #907168 · #6d534b · #493832
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fbd7cc · #bcc5c7 · #918582 · #4d5355 · #291f1b · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fbd7cc · #ab9993 · #513d36 · #341f19 · #100100 · #ee6438
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#fbd7cc · #ab9993 · #513d36 · #341f19 · #100100 · #d8c64e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fbd7cc · #b4c7cd · #5d92a0 · #0c5c6d · #002630 · #050000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fbd7cc · #b4c7cd · #5c948f · #2d5579 · #002825 · #000410
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fbd7cc · #b8c8bd · #6a947a · #484e7b · #1b1d3f · #000501
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fbd7cc · #bfc6b7 · #7e9068 · #0c5c6d · #2a1839 · #000407
#FBDCD2 · #FCE0D8 · #FCE5DE · #FDE9E4 · #FDEEE9
#CEAEA4 · #A3877F · #7A625B · #533F39 · #301F1A
#F5D9D0 · #F0DBD5 · #EADDD9
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.