#FFDDC7Coral Kiss (#FFDDC7) is a very light, muted orange with an OKLCH hue of 55°, lightness 0.92 and chroma 0.048. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FFDDC7 |
|---|---|
| RGB | rgb(255, 221, 199) |
| HSL | hsl(24, 100%, 89%) |
| HSV | hsv(24, 22%, 100%) |
| CMYK | cmyk(0%, 13%, 22%, 0%) |
| CIE Lab | lab(90.4 8.4 15.1) |
| OKLCH | oklch(0.920 0.048 55) |
Under warm 2700K interior light Coral Kiss shifts subtly: leans toward yellow; in north-facing or shaded light it shifts subtly: leans toward pink. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#ffd7b9 — ΔE 1.9, shifts subtly: leans toward yellow#ffdec3 — ΔE 0.7, shifts subtly: leans toward yellow#ffddc7 — ΔE 0.0, is virtually unchanged#ffdeca — ΔE 0.4, shifts subtly: leans toward pinkTest Coral Kiss in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.28:1 and against black 16.42:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffddc7 · #e2c2ae · #b89c89 · #907767 · #695446 · #453428
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffddc7 · #fbc2af · #e7ada9 · #d09aa4 · #b7899d · #9d7994
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffddc7 · #a7a78c · #a57c61 · #6e6c36 · #67442c · #35341b
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffddc7 · #7bb3d4 · #887a71 · #705847 · #503b2d · #2e2118
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffddc7 · #c1c9cd · #938983 · #505558 · #29201a · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffddc7 · #b1a096 · #5e4b3e · #432f22 · #210e02 · #f18e42
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffddc7 · #c0d7b7 · #4080f3 · #90534c · #32355c · #120729
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffddc7 · #bacad4 · #5e969d · #3f537e · #00282c · #000008
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffddc7 · #b9ccc6 · #649889 · #574b79 · #251b3d · #000402
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffddc7 · #bfcbbf · #759575 · #225a77 · #311633 · #00050d
#FFE1CD · #FEE4D4 · #FEE8DA · #FEECE0 · #FDEFE6
#D1B3A0 · #A68B7A · #7C6556 · #544135 · #302116
#FADFCD · #F4E0D4 · #EEE2DA
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.