#FFDAE9Mimi Pink (#FFDAE9) is a very light, muted pink with an OKLCH hue of 352°, lightness 0.92 and chroma 0.045. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FFDAE9 |
|---|---|
| RGB | rgb(255, 218, 233) |
| HSL | hsl(336, 100%, 93%) |
| HSV | hsv(336, 15%, 100%) |
| CMYK | cmyk(0%, 15%, 9%, 0%) |
| CIE Lab | lab(90.5 15.2 -2.6) |
| OKLCH | oklch(0.924 0.045 352) |
Under warm 2700K interior light Mimi Pink shifts subtly: leans toward red, reads darker; in north-facing or shaded light it shifts subtly: drifts toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#ffd4da — ΔE 2.1, shifts subtly: leans toward red, reads darker#ffdbe4 — ΔE 0.8, shifts subtly: leans toward red#ffdae9 — ΔE 0.0, is virtually unchanged#ffdbec — ΔE 0.4, shifts subtly: drifts toward magentaTest Mimi Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.28:1 and against black 16.46:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdae9 · #e1becc · #b798a5 · #8f747f · #69525b · #45323a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffdae9 · #f1c1e5 · #d3b1db · #b4a2ce · #9794be · #7a86ab
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffdae9 · #bb9f93 · #a6788b · #8e5b46 · #674052 · #462d22
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffdae9 · #8fd2bc · #ab9aa1 · #927581 · #705661 · #4c3b42
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffdae9 · #c2cbc7 · #94898d · #505654 · #2a1f23 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffdae9 · #a9969e · #4e3942 · #311c25 · #0d0005 · #e5529e
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#ffdae9 · #a9969e · #4e3942 · #311c25 · #0d0005 · #dec44d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffdae9 · #bfd7b7 · #c57ec5 · #228189 · #2f3f31 · #17071f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffdae9 · #bbcdc7 · #789674 · #046066 · #0e2a0b · #000203
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffdae9 · #c8caba · #8d9066 · #1f5b77 · #002637 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffdae9 · #d0c7b8 · #9f8962 · #1c624f · #102141 · #000402
#FFDEEB · #FEE2ED · #FEE6EF · #FEEAF2 · #FDEEF4
#D1B0BE · #A58994 · #7C636D · #543F48 · #2F1F26
#FADDE8 · #F5DFE8 · #EFE1E7
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.