#FFE3F4Bunny Tail (#FFE3F4) is a near-white, muted magenta with an OKLCH hue of 341°, lightness 0.94 and chroma 0.038. It sits on the transitional side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FFE3F4 |
|---|---|
| RGB | rgb(255, 227, 244) |
| HSL | hsl(324, 100%, 95%) |
| HSV | hsv(324, 11%, 100%) |
| CMYK | cmyk(0%, 11%, 4%, 0%) |
| CIE Lab | lab(92.9 12.4 -4.7) |
| OKLCH | oklch(0.943 0.038 341) |
Under warm 2700K interior light Bunny Tail shifts subtly: drifts toward pink, reads darker; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#ffdde4 — ΔE 2.2, shifts subtly: drifts toward pink, reads darker#ffe4ef — ΔE 0.8, shifts subtly: drifts toward pink#ffe3f4 — ΔE 0.0, is virtually unchanged#ffe4f7 — ΔE 0.4, shifts subtly: leans toward purpleTest Bunny Tail in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.2:1 and against black 17.55:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe3f4 · #dac1d0 · #b19aa8 · #8a7682 · #64535e · #41333c
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffe3f4 · #f1c9f3 · #d2bae8 · #b3abd9 · #959dc6 · #798eb1
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffe3f4 · #c2a49d · #a97e99 · #965f53 · #6a465d · #4c312b
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffe3f4 · #99d4b4 · #8e7f88 · #755b6b · #543e4c · #33252e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffe3f4 · #c9d1cd · #988d93 · #535956 · #2a2026 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffe3f4 · #d1c5cc · #a597a0 · #2c1d27 · #090106 · #e05eb9
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#ffe3f4 · #d1c5cc · #a597a0 · #2c1d27 · #090106 · #dfc34d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffe3f4 · #c4ddbd · #c47fc5 · #268c88 · #31402e · #140621
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffe3f4 · #c3d4ca · #849972 · #0d6461 · #182904 · #000202
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffe3f4 · #d2d0bf · #989267 · #186074 · #002934 · #030200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffe3f4 · #d9cdbf · #a88b68 · #2b6449 · #072541 · #000401
#FEE6F5 · #FEE8F5 · #FDEBF6 · #FCEDF6 · #FBF0F7
#D1B8C7 · #A48F9C · #7A6773 · #52434C · #2D2129
#FBE5F2 · #F7E7F1 · #F3E9EF
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.