#FFB7D5Candy Bar (#FFB7D5) is a very light, soft pink with an OKLCH hue of 352°, lightness 0.85 and chroma 0.091. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #FFB7D5 |
|---|---|
| RGB | rgb(255, 183, 213) |
| HSL | hsl(335, 100%, 86%) |
| HSV | hsv(335, 28%, 100%) |
| CMYK | cmyk(0%, 28%, 16%, 0%) |
| CIE Lab | lab(81.8 30.4 -4.7) |
| OKLCH | oklch(0.855 0.091 352) |
Under warm 2700K interior light Candy Bar shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#ffb2c7 — ΔE 1.9, shifts subtly: leans toward red#ffb8d1 — ΔE 0.7, shifts subtly: leans toward red#ffb7d5 — ΔE 0.0, is virtually unchanged#ffb8d8 — ΔE 0.4, shifts subtly: leans toward purpleTest Candy Bar in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.62:1 and against black 12.99:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf3 · #ffb7d5 · #cc8da7 · #a16981 · #78485d · #51293b
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffced5 · #ffb7d5 · #e0a7d1 · #c199c9 · #a18bbd · #827ead
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffb7d5 · #c9a798 · #b67d95 · #9f6145 · #76455a · #523326
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffb7d5 · #6bbfa6 · #99848c · #825f6d · #5f414e · #3c2831
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffb7d5 · #abb5b2 · #86797e · #464d4a · #271a1f · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f5f1 · #becdc7 · #8fa09a · #112721 · #000503 · #ffb7d5
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ecedc7 · #ffb7d5 · #d6a4d5 · #299c62 · #334532 · #200505
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffb7d5 · #a2b9b1 · #638860 · #00565c · #012701 · #000203
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffb7d5 · #b2b5a1 · #7d824e · #005271 · #002232 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffb7d5 · #bbb19f · #927949 · #005946 · #091c42 · #000201
#FFC1DA · #FFCBE0 · #FFD5E5 · #FFDEEB · #FFE7F0
#D393AE · #A97189 · #805065 · #5A3143 · #361524
#F6BDD4 · #ECC2D3 · #E2C7D1
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.