#F8B4C4Love Spell (#F8B4C4) is a very light, soft pink with an OKLCH hue of 3°, lightness 0.84 and chroma 0.081. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F8B4C4 |
|---|---|
| RGB | rgb(248, 180, 196) |
| HSL | hsl(346, 83%, 84%) |
| HSV | hsv(346, 27%, 97%) |
| CMYK | cmyk(0%, 27%, 21%, 3%) |
| CIE Lab | lab(79.9 26.9 1.7) |
| OKLCH | oklch(0.837 0.081 3) |
Under warm 2700K interior light Love Spell shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#fdafb7 — ΔE 1.9, shifts subtly: leans toward red#feb4c0 — ΔE 1.1, shifts subtly: leans toward red#f8b4c4 — ΔE 0.0, is virtually unchanged#f8b5c7 — ΔE 0.4, shifts subtly: leans toward magentaTest Love Spell in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.7:1 and against black 12.32:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf0 · #f8b4c4 · #cb8f9d · #a06b78 · #784a55 · #512a35
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffd0cf · #f8b4c4 · #dca3c0 · #bf94b9 · #a285ae · #8577a0
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f8b4c4 · #bfa492 · #b07a87 · #92613e · #70424e · #493120
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fde7ec · #f8b4c4 · #68b8ac · #9e7b82 · #7a5c63 · #554145
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f8b4c4 · #a6b0ae · #827578 · #444a49 · #251a1c · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5f3 · #beccca · #90a09d · #112724 · #000504 · #f8b4c4
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e0e7c2 · #f8b4c4 · #c2a1c0 · #268f8c · #344632 · #1e061d
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f8b4c4 · #9db2af · #5a8567 · #005260 · #00250f · #000305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f8b4c4 · #aab09f · #718054 · #194d71 · #001f37 · #010200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f8b4c4 · #b2ad9c · #86784b · #00554d · #14193d · #000201
#FABECC · #FDC8D4 · #FFD2DB · #FFDCE4 · #FFE7EC
#CD919F · #A46F7C · #7D4F5B · #58313B · #35161E
#EFB9C5 · #E5BEC6 · #DCC2C8
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.