#F4B3C2Ibis (#F4B3C2) is a very light, soft pink with an OKLCH hue of 4°, lightness 0.83 and chroma 0.078. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F4B3C2 |
|---|---|
| RGB | rgb(244, 179, 194) |
| HSL | hsl(346, 75%, 83%) |
| HSV | hsv(346, 27%, 96%) |
| CMYK | cmyk(0%, 27%, 20%, 4%) |
| CIE Lab | lab(79.3 25.8 1.7) |
| OKLCH | oklch(0.831 0.078 4) |
Under warm 2700K interior light Ibis shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#f9aeb5 — ΔE 1.9, shifts subtly: leans toward red#fab3be — ΔE 1.1, shifts subtly: leans toward red#f4b3c2 — ΔE 0.0, is virtually unchanged#f4b4c5 — ΔE 0.4, shifts subtly: leans toward magentaTest Ibis in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.74:1 and against black 12.07:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf0 · #f4b3c2 · #ca8f9d · #9f6c78 · #764a55 · #502b35
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffcdcc · #f4b3c2 · #d9a2bd · #bc92b5 · #9f84ab · #83769d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f4b3c2 · #bca291 · #ac7985 · #8f603e · #6d414c · #473020
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fae5ea · #f4b3c2 · #69b5aa · #9b7981 · #775b61 · #523f44
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f4b3c2 · #a4adac · #807476 · #434948 · #25191c · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5f3 · #bfccca · #90a09d · #122724 · #000504 · #f4b3c2
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e1e8c3 · #f4b3c2 · #ca9dc5 · #299e70 · #334432 · #230703
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f4b3c2 · #9cb0ad · #5b8367 · #00515f · #00250f · #000305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f4b3c2 · #a8ae9e · #707e55 · #1c4c6e · #001f36 · #010200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f4b3c2 · #b0ab9b · #84774c · #00544c · #14193b · #000201
#F7BDCA · #FAC7D2 · #FCD1DA · #FFDBE3 · #FFE6EB
#CA909E · #A26F7B · #7B4F5A · #56323B · #34161E
#EBB8C3 · #E2BCC4 · #D9C0C5
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.