#EC4872Radishical (#EC4872) is a mid-tone, vivid pink with an OKLCH hue of 10°, lightness 0.64 and chroma 0.201. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #EC4872 |
|---|---|
| RGB | rgb(236, 72, 114) |
| HSL | hsl(345, 81%, 60%) |
| HSV | hsv(345, 69%, 93%) |
| CMYK | cmyk(0%, 69%, 52%, 7%) |
| CIE Lab | lab(55.8 65.2 13.2) |
| OKLCH | oklch(0.644 0.201 10) |
Under warm 2700K interior light Radishical shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.1), so it is a lighting-stable choice.
#ed436a — ΔE 1.1, shifts subtly: leans toward orange#f0476f — ΔE 0.8, shifts subtly: leans toward orange#ec4872 — ΔE 0.0, is virtually unchanged#ed4974 — ΔE 0.3, is virtually unchangedTest Radishical in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.66:1 and against black 5.74:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdce0 · #ff9dad · #ec4872 · #c72d59 · #95003a · #5d0021
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff9065 · #fb6b63 · #ec4872 · #c93e84 · #a4388c · #7f338c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#da9e68 · #ec4872 · #bd375a · #7b4400 · #6f0029 · #341800
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e1d8 · #ec4872 · #8c5f65 · #7e2f41 · #591426 · #2f0410
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#def8f6 · #c19fa3 · #ec4872 · #657776 · #44252a · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f4 · #bccdcc · #8ea1a0 · #0e2928 · #000706 · #ec4872
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c6fffa · #00c2ba · #ec4872 · #00847f · #003835 · #120002
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c6fffa · #20c785 · #ec4872 · #00809b · #003a22 · #000408
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e5fbd0 · #88bc43 · #ec4872 · #0075c9 · #00315a · #010500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fbf3c5 · #c0aa00 · #ec4872 · #00847f · #280e81 · #000202
#F66785 · #FF8299 · #FFA1B0 · #FFBDC6 · #FFD8DD
#C8325B · #A41C46 · #820031 · #5C0020 · #380010
#DB5E78 · #C96E7E · #B57B84
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.