#EE3377Amor (#EE3377) is a mid-tone, vivid pink with an OKLCH hue of 5°, lightness 0.63 and chroma 0.223. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #EE3377 |
|---|---|
| RGB | rgb(238, 51, 119) |
| HSL | hsl(338, 85%, 57%) |
| HSV | hsv(338, 79%, 93%) |
| CMYK | cmyk(0%, 79%, 50%, 7%) |
| CIE Lab | lab(53.9 72.7 7.6) |
| OKLCH | oklch(0.632 0.223 5) |
Under warm 2700K interior light Amor shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.1), so it is a lighting-stable choice.
#ef2d6f — ΔE 1.1, shifts subtly: leans toward orange#f23174 — ΔE 0.9, shifts subtly: leans toward orange#ee3377 — ΔE 0.0, is virtually unchanged#ef3479 — ΔE 0.3, is virtually unchangedTest Amor in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.91:1 and against black 5.38:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffd5dd · #ff95ae · #ee3377 · #c80d5e · #8e003f · #570023
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff8865 · #ff5b64 · #ee3377 · #c82e8a · #a12c94 · #7b2993
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#dd965f · #ee3377 · #be255d · #7a3e00 · #68002c · #311400
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e2d1 · #ee3377 · #8b5964 · #7e2642 · #580826 · #2e000f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dcf9f4 · #bf9aa1 · #ee3377 · #607471 · #44222a · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f3 · #bccdca · #8da19e · #0c2824 · #000504 · #ee3377
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c7fff7 · #00beb0 · #ee3377 · #008177 · #003732 · #130003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c7fff7 · #00c472 · #ee3377 · #007d92 · #00391c · #000305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e7faca · #8bb70f · #ee3377 · #0074b9 · #003052 · #010400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff2c1 · #c2a300 · #ee3377 · #008177 · #21008a · #000201
#F85A8A · #FF7B9E · #FF9CB3 · #FFBAC9 · #FFD6DE
#CA1B60 · #A5004B · #7E0037 · #590025 · #370013
#DC517B · #C9657F · #B47583
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.