#FB0081Flickr Pink (#FB0081) is a mid-tone, vivid pink with an OKLCH hue of 1°, lightness 0.64 and chroma 0.258. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FB0081 |
|---|---|
| RGB | rgb(251, 0, 129) |
| HSL | hsl(329, 100%, 49%) |
| HSV | hsv(329, 100%, 98%) |
| CMYK | cmyk(0%, 100%, 49%, 2%) |
| CIE Lab | lab(54.1 83.8 2.3) |
| OKLCH | oklch(0.639 0.258 1) |
Under warm 2700K interior light Flickr Pink shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#fb0079 — ΔE 1.2, shifts subtly: leans toward red#ff007e — ΔE 1.0, shifts subtly: leans toward red#fb0081 — ΔE 0.0, is virtually unchanged#fc0183 — ΔE 0.3, is virtually unchangedTest Flickr Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.88:1 and against black 5.42:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffd8e2 · #ff98b6 · #fb0081 · #cc0068 · #900047 · #590029
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff8b72 · #ff5f70 · #fb0081 · #d21198 · #a71ba3 · #7e1fa4
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e99257 · #fb0081 · #c80066 · #803d00 · #6a0033 · #351400
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e3ca · #fb0081 · #915868 · #851e47 · #5d002c · #310013
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#d9faf3 · #c49aa5 · #fb0081 · #5f7772 · #48202d · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f2 · #bccdc9 · #8da19d · #0d2823 · #000504 · #fb0081
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d6dab4 · #3cd2cd · #fb0081 · #8f679b · #334430 · #1b051b
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c9fff4 · #00c864 · #fb0081 · #007f91 · #003a18 · #000305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e9fbc1 · #97b700 · #fb0081 · #0078b5 · #003250 · #010300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff1c9 · #caa300 · #fb0081 · #008475 · #1a0090 · #000201
#FF5393 · #FF7CA6 · #FF9EBA · #FFBBCD · #FFD7E1
#D0006A · #A60053 · #7F003E · #590029 · #370016
#E74583 · #D26085 · #BB7388
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.