#FF1493Deep Pink (#FF1493) is a mid-tone, vivid pink with an OKLCH hue of 357°, lightness 0.65 and chroma 0.261. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF1493 |
|---|---|
| RGB | rgb(255, 20, 147) |
| HSL | hsl(328, 100%, 54%) |
| HSV | hsv(328, 92%, 100%) |
| CMYK | cmyk(0%, 92%, 42%, 0%) |
| CIE Lab | lab(56 84.5 -5.7) |
| OKLCH | oklch(0.655 0.261 357) |
Under warm 2700K interior light Deep Pink shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.3), so it is a lighting-stable choice.
#ff038a — ΔE 1.3, shifts subtly: leans toward red#ff0f90 — ΔE 0.4, is virtually unchanged#ff1493 — ΔE 0.0, is virtually unchanged#ff1495 — ΔE 0.3, is virtually unchangedAgainst white it measures 3.64:1 and against black 5.77:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe0ea · #ffa0c2 · #ff1493 · #d30077 · #970054 · #5f0032
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff9384 · #ff6a82 · #ff1493 · #d41fa8 · #a825b2 · #7d28b0
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f29561 · #ff1493 · #cd0c75 · #8b3c00 · #70003d · #3d1500
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e3c2 · #ff1493 · #955c71 · #8a2352 · #620235 · #36001a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#d9faf1 · #ff1493 · #906976 · #364c46 · #320d1d · #000302
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f1 · #bdcec9 · #8fa29d · #112a25 · #000805 · #ff1493
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dddfb9 · #40dbd1 · #ff1493 · #926ca2 · #354531 · #18051b
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#dce0ba · #84d8a2 · #ff1493 · #53868f · #3c4537 · #230604
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eef9bd · #ff1493 · #717f00 · #004d6f · #001f32 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff1d0 · #ff1493 · #937000 · #005346 · #060064 · #000302
#FF5CA3 · #FF82B3 · #FFA1C3 · #FFBDD3 · #FFD7E4
#D50079 · #AA005F · #810047 · #5B0030 · #37001B
#EB4A93 · #D66592 · #BF7891
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.