#FF017FBerry Blast (#FF017F) is a mid-tone, vivid pink with an OKLCH hue of 3°, lightness 0.65 and chroma 0.26. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF017F |
|---|---|
| RGB | rgb(255, 1, 127) |
| HSL | hsl(330, 100%, 50%) |
| HSV | hsv(330, 100%, 100%) |
| CMYK | cmyk(0%, 100%, 50%, 0%) |
| CIE Lab | lab(54.9 84.4 4.7) |
| OKLCH | oklch(0.645 0.260 3) |
Under warm 2700K interior light Berry Blast shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#ff0077 — ΔE 1.2, shifts subtly: leans toward red#ff007c — ΔE 0.4, is virtually unchanged#ff017f — ΔE 0.0, is virtually unchanged#ff0281 — ΔE 0.3, is virtually unchangedTest Berry Blast in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.78:1 and against black 5.56:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdce4 · #ff9cb7 · #ff017f · #d00066 · #940047 · #5c0029
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff8f74 · #ff6571 · #ff017f · #d61197 · #ab1ba4 · #8220a5
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#eb9557 · #ff017f · #cc0064 · #813f00 · #6e0032 · #371600
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e2cd · #ff017f · #935a69 · #881f47 · #60002b · #330013
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#d8faf4 · #c79ca6 · #ff017f · #617974 · #49212d · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f3 · #bccdca · #8da19d · #0d2824 · #000504 · #ff017f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dcdfb9 · #3fdcab · #ff017f · #906ba1 · #374834 · #1e0602
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d4e1bd · #81ced9 · #ff017f · #508757 · #36414c · #1f061d
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e8fbc1 · #95ba00 · #ff017f · #007aba · #003352 · #010300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff2c7 · #caa500 · #ff017f · #008678 · #1d0091 · #000201
#FF5992 · #FF80A6 · #FFA0B9 · #FFBCCD · #FFD7E0
#D30068 · #A90052 · #81003C · #5B0028 · #380016
#EB4682 · #D56285 · #BE7588
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.