#FF028DHot Pink (#FF028D) is a mid-tone, vivid pink with an OKLCH hue of 358°, lightness 0.65 and chroma 0.264. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF028D |
|---|---|
| RGB | rgb(255, 2, 141) |
| HSL | hsl(327, 100%, 50%) |
| HSV | hsv(327, 99%, 100%) |
| CMYK | cmyk(0%, 99%, 45%, 0%) |
| CIE Lab | lab(55.3 85.4 -3.1) |
| OKLCH | oklch(0.650 0.264 358) |
Under warm 2700K interior light Hot Pink shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.3), so it is a lighting-stable choice.
#ff0084 — ΔE 1.3, shifts subtly: leans toward red#ff008a — ΔE 0.4, is virtually unchanged#ff028d — ΔE 0.0, is virtually unchanged#ff038f — ΔE 0.3, is virtually unchangedTest Hot Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.72:1 and against black 5.65:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdee7 · #ff9dbe · #ff028d · #d10072 · #95004f · #5d002f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff917e · #ff667d · #ff028d · #d416a3 · #a920ae · #7e23ad
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f0945d · #ff028d · #cd0070 · #873d00 · #6f0039 · #3a1500
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e3c5 · #ff028d · #945b6e · #89204f · #610032 · #350018
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#d9fbf2 · #c89daa · #ff028d · #637a74 · #492130 · #000302
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f2 · #bdcec9 · #8fa29d · #112a25 · #000805 · #ff028d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e0e3bd · #40ddd3 · #ff028d · #8f699f · #364431 · #19051b
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d1e1bd · #83d0de · #ff028d · #508663 · #36424e · #1d061f
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecfabe · #a1b800 · #ff028d · #007db5 · #003450 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff1ce · #d2a400 · #ff028d · #008875 · #130096 · #000302
#FF599E · #FF80AF · #FFA0C0 · #FFBCD1 · #FFD7E3
#D30074 · #A9005B · #810044 · #5A002E · #370019
#EB478D · #D6628E · #BE768E
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.