#FA427EDiva Pink (#FA427E) is a mid-tone, vivid pink with an OKLCH hue of 6°, lightness 0.66 and chroma 0.221. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FA427E |
|---|---|
| RGB | rgb(250, 66, 126) |
| HSL | hsl(340, 95%, 62%) |
| HSV | hsv(340, 74%, 98%) |
| CMYK | cmyk(0%, 74%, 50%, 2%) |
| CIE Lab | lab(57.8 72.1 9.3) |
| OKLCH | oklch(0.665 0.221 6) |
Under warm 2700K interior light Diva Pink shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#fb3c75 — ΔE 1.2, shifts subtly: leans toward orange#fe417b — ΔE 0.9, shifts subtly: leans toward orange#fa427e — ΔE 0.0, is virtually unchanged#fb4380 — ΔE 0.3, is virtually unchangedTest Diva Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.42:1 and against black 6.15:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe5ea · #ffa8b9 · #fa427e · #d42464 · #9e0045 · #650029
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff9a7b · #ff7474 · #fa427e · #d43b92 · #ad389c · #86349c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e7a169 · #fa427e · #c93364 · #864600 · #770032 · #3c1b00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e1d2 · #fa427e · #95636d · #883049 · #62142d · #370616
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dcf9f5 · #fa427e · #906e74 · #3a4d4a · #311119 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f3 · #bccdcb · #8da19e · #0c2825 · #000504 · #fa427e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c7fff8 · #fa427e · #008c82 · #00554e · #002420 · #140003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d7dab5 · #72b6cb · #fa427e · #416e5b · #3a4839 · #200702
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e6fbcb · #fa427e · #628700 · #004c7d · #001f39 · #010400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff3c0 · #fa427e · #8e7800 · #00554e · #150060 · #000201
#FF6791 · #FF89A4 · #FFA6B8 · #FFC0CC · #FFD9E0
#D32B66 · #AE0E4E · #860039 · #5E0026 · #390014
#E85D83 · #D47087 · #BE7F8C
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.