#FF3F6ALaser Trap (#FF3F6A) is a mid-tone, vivid pink with an OKLCH hue of 14°, lightness 0.67 and chroma 0.226. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF3F6A |
|---|---|
| RGB | rgb(255, 63, 106) |
| HSL | hsl(347, 100%, 62%) |
| HSV | hsv(347, 75%, 100%) |
| CMYK | cmyk(0%, 75%, 58%, 0%) |
| CIE Lab | lab(57.9 72.9 21.4) |
| OKLCH | oklch(0.666 0.226 14) |
Under warm 2700K interior light Laser Trap shifts subtly: drifts toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1), so it is a lighting-stable choice.
#ff3962 — ΔE 1.0, shifts subtly: drifts toward red#ff3d67 — ΔE 0.4, is virtually unchanged#ff3f6a — ΔE 0.0, is virtually unchanged#ff406c — ΔE 0.3, is virtually unchangedTest Laser Trap in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.4:1 and against black 6.17:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe6e8 · #ffa9b1 · #ff3f6a · #d92052 · #a10036 · #670020
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff9c6e · #ff7664 · #ff3f6a · #db3682 · #b53290 · #8e2f94
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e4a461 · #ff3f6a · #cd3154 · #814b00 · #790027 · #391e00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e0de · #ff3f6a · #976367 · #8b303f · #641325 · #380511
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dbf9f8 · #ff3f6a · #926e71 · #394d4c · #321116 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f5 · #bccdcc · #8da0a0 · #0b2727 · #000505 · #ff3f6a
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c4fffd · #ff3f6a · #008b8a · #005453 · #002323 · #160002
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d2cdf1 · #74bca6 · #ff3f6a · #446f81 · #304163 · #1f0619
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e0fcce · #ff3f6a · #4e8c00 · #00488b · #001d40 · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f9f5c0 · #ff3f6a · #867b00 · #005453 · #1d005b · #000202
#FF6B82 · #FF8B99 · #FFA7B0 · #FFC1C6 · #FFDADC
#D82754 · #B2063E · #88002D · #5F001C · #3A000D
#EC5C73 · #D7707C · #C17F85
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.