#0B9D6APrairie (#0B9D6A) is a mid-tone, saturated green with an OKLCH hue of 161°, lightness 0.62 and chroma 0.135. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #0B9D6A |
|---|---|
| RGB | rgb(11, 157, 106) |
| HSL | hsl(159, 87%, 33%) |
| HSV | hsv(159, 93%, 62%) |
| CMYK | cmyk(93%, 0%, 32%, 38%) |
| CIE Lab | lab(57.3 -47 17.2) |
| OKLCH | oklch(0.616 0.135 161) |
Under warm 2700K interior light Prairie shifts subtly: leans toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#329962 — ΔE 1.6, shifts subtly: leans toward yellow-green#249e67 — ΔE 0.9, shifts subtly: leans toward yellow-green#0b9d6a — ΔE 0.0, is virtually unchanged#039e6c — ΔE 0.3, is virtually unchangedTest Prairie in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.47:1 and against black 6.05:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#9ef2c7 · #6acc9d · #0b9d6a · #007e54 · #005638 · #00311d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#47bebc · #1daf96 · #0b9d6a · #3d8642 · #4d6e1c · #525600
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#2fd9f7 · #70afbd · #0b9d6a · #007b52 · #005b3b · #003943
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d2f7e3 · #9ed9ba · #91af9e · #0b9d6a · #96417b · #1f523b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fbedf6 · #92a69b · #0b9d6a · #71676d · #1d3127 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#faeef5 · #d2c4cc · #a697a0 · #2d1c27 · #0a0106 · #0b9d6a
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d3d4af · #78a772 · #0b9d6a · #a71c33 · #4c334e · #1c0a03
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e9d1b1 · #bf7dd5 · #0b9d6a · #735153 · #47364a · #0b1404
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eff1ff · #9498e2 · #0b9d6a · #a84a24 · #501600 · #010010
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e8f3ff · #6ca4e1 · #0b9d6a · #9c4681 · #402500 · #070003
#46AD7F · #69BD94 · #88CDAA · #A6DDC0 · #C3EDD6
#008256 · #006744 · #004E32 · #003621 · #001F11
#3F9870 · #589476 · #6B8E7B
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.