#25A26FBejewelled (#25A26F) is a mid-tone, saturated green with an OKLCH hue of 161°, lightness 0.63 and chroma 0.131. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #25A26F |
|---|---|
| RGB | rgb(37, 162, 111) |
| HSL | hsl(156, 63%, 39%) |
| HSV | hsv(156, 77%, 64%) |
| CMYK | cmyk(77%, 0%, 31%, 36%) |
| CIE Lab | lab(59.3 -45.5 17.2) |
| OKLCH | oklch(0.634 0.131 161) |
Under warm 2700K interior light Bejewelled shifts subtly: leans toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#3f9e66 — ΔE 1.6, shifts subtly: leans toward yellow-green#34a36c — ΔE 0.9, shifts subtly: leans toward yellow-green#25a26f — ΔE 0.0, is virtually unchanged#22a371 — ΔE 0.3, is virtually unchangedTest Bejewelled in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.24:1 and against black 6.48:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#a7f7cd · #73d1a2 · #25a26f · #008457 · #005c3b · #003621
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#52c4c0 · #31b49a · #25a26f · #458b48 · #537325 · #585b00
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#77b4c1 · #25a26f · #198057 · #005b69 · #004229 · #002329
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#a6debf · #97b4a4 · #25a26f · #9a4781 · #27563f · #173627
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fbedf6 · #98aba0 · #25a26f · #766d72 · #203329 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#faeef5 · #d2c4cc · #a697a0 · #2d1c27 · #0a0106 · #25a26f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dddfb9 · #7eb179 · #25a26f · #951e9f · #3c3b64 · #0e0626
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#bbdbf5 · #b6929d · #25a26f · #6f449b · #303d5e · #041211
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eff1ff · #999ee6 · #25a26f · #ad502d · #541700 · #010010
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e8f3ff · #72aae5 · #25a26f · #a14d87 · #432700 · #060003
#50B183 · #70C098 · #8DCFAC · #AADFC2 · #C5EED7
#088659 · #006B45 · #005033 · #003721 · #002011
#499D75 · #60997B · #719481
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.