#329760Eucalyptus (#329760) is a mid-tone, soft green with an OKLCH hue of 156°, lightness 0.6 and chroma 0.125. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #329760 |
|---|---|
| RGB | rgb(50, 151, 96) |
| HSL | hsl(147, 50%, 39%) |
| HSV | hsv(147, 67%, 59%) |
| CMYK | cmyk(67%, 0%, 36%, 41%) |
| CIE Lab | lab(55.7 -42.1 20.7) |
| OKLCH | oklch(0.604 0.125 156) |
Under warm 2700K interior light Eucalyptus shifts subtly: leans toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#449358 — ΔE 1.5, shifts subtly: leans toward yellow-green#3d985d — ΔE 0.9, shifts subtly: leans toward yellow-green#329760 — ΔE 0.0, is virtually unchanged#309862 — ΔE 0.3, is virtually unchangedTest Eucalyptus in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.66:1 and against black 5.73:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#a6ecbe · #75c693 · #329760 · #137a48 · #00532d · #002e16
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#51bab1 · #37a98b · #329760 · #49803b · #536818 · #545100
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#3bd5e8 · #70abb4 · #329760 · #237649 · #005830 · #00363c
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d3f2dd · #a2d3b2 · #91aa99 · #329760 · #8c427d · #254d35
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#faeef6 · #91a196 · #329760 · #6d646a · #1e2f24 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f9eef6 · #d1c4ce · #a597a1 · #2d1c29 · #090107 · #329760
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffebf9 · #c484b5 · #329760 · #924883 · #480d3e · #000601
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#eacdb0 · #b07cd2 · #329760 · #68494f · #44364d · #0b1003
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eef1ff · #8b97db · #329760 · #a24831 · #520e00 · #010010
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e7f4ff · #65a3d7 · #329760 · #924883 · #402200 · #060004
#55A876 · #73B88D · #90C9A4 · #ACDABB · #C7EBD3
#1F7D4C · #076539 · #004C29 · #00351A · #001F0D
#4B9368 · #5D8E6F · #6C8A76
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.