#00A466Jungle (#00A466) is a mid-tone, saturated green with an OKLCH hue of 158°, lightness 0.63 and chroma 0.148. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #00A466 |
|---|---|
| RGB | rgb(0, 164, 102) |
| HSL | hsl(157, 100%, 32%) |
| HSV | hsv(157, 100%, 64%) |
| CMYK | cmyk(100%, 0%, 38%, 36%) |
| CIE Lab | lab(59.4 -51 22.3) |
| OKLCH | oklch(0.633 0.148 158) |
Under warm 2700K interior light Jungle shifts subtly: leans toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#32a05e — ΔE 1.6, shifts subtly: leans toward yellow-green#21a563 — ΔE 0.9, shifts subtly: leans toward yellow-green#00a466 — ΔE 0.0, is virtually unchanged#00a568 — ΔE 0.3, is virtually unchangedTest Jungle in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.23:1 and against black 6.5:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#a0f9c6 · #6bd39a · #00a466 · #008451 · #005c37 · #00361e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#3cc6bf · #00b696 · #00a466 · #428c3b · #55730a · #5a5a00
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#6eb6c2 · #00a466 · #00824f · #005b67 · #004226 · #002328
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#a2dfba · #95b5a1 · #00a466 · #9d4187 · #22573b · #143624
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fcedf7 · #97ab9e · #00a466 · #766c73 · #1e3427 · #030002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f9eef5 · #d2c4cd · #a697a1 · #2d1c28 · #0a0107 · #00a466
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d3d6b1 · #7caf78 · #00a466 · #a11c55 · #49385a · #1e0503
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#eac6db · #bb919a · #00a466 · #74469e · #2d3c5c · #071412
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eef1ff · #949eef · #00a466 · #b54926 · #561400 · #010011
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e8f3ff · #65abec · #00a466 · #a4478d · #442600 · #070004
#45B37B · #69C291 · #88D1A7 · #A6E0BD · #C3EFD4
#008753 · #006B41 · #00512F · #00371F · #00200F
#409F6E · #5B9A76 · #6F947E
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.