#80385CPleasure (#80385C) is a dark, soft pink with an OKLCH hue of 351°, lightness 0.45 and chroma 0.108. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #80385C |
|---|---|
| RGB | rgb(128, 56, 92) |
| HSL | hsl(330, 39%, 36%) |
| HSV | hsv(330, 56%, 50%) |
| CMYK | cmyk(0%, 56%, 28%, 50%) |
| CIE Lab | lab(34.4 35.4 -6.5) |
| OKLCH | oklch(0.448 0.108 351) |
Under warm 2700K interior light Pleasure shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1), so it is a lighting-stable choice.
#813656 — ΔE 1.0, shifts subtly: leans toward red#83385a — ΔE 0.7, shifts subtly: leans toward red#80385c — ΔE 0.0, is virtually unchanged#80385d — ΔE 0.2, is virtually unchangedTest Pleasure in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 7.96:1 and against black 2.64:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#cf92ad · #ac6a88 · #80385c · #622043 · #3b0123 · #110006
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#a3625f · #934c5c · #80385c · #642d59 · #492352 · #2f1947
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#cfa290 · #c67857 · #8d6758 · #80385c · #5c2240 · #3d0926
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#73dbbb · #b08799 · #846d76 · #80385c · #4f2a3b · #2a151f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e8f5f0 · #b9a8af · #68716d · #80385c · #48373e · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f5f0 · #bfcec8 · #91a39c · #152c25 · #000a05 · #80385c
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ebebc5 · #8fea72 · #6d589e · #80385c · #33443a · #1e0504
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d2d7b1 · #7ebc6b · #6a8e8d · #80385c · #374536 · #1b051f
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f2f4dc · #b0b372 · #0278a1 · #80385c · #00435c · #020200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fdf0da · #caa86d · #008266 · #80385c · #1f3b6c · #000402
#975574 · #AD728D · #C490A6 · #DAAEC1 · #F0CDDC
#6D2C4D · #5A213E · #481530 · #370A23 · #260216
#78405A · #6F4659 · #664C57
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.