#82476FGrape Kiss (#82476F) is a dark, soft magenta with an OKLCH hue of 340°, lightness 0.48 and chroma 0.096. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #82476F |
|---|---|
| RGB | rgb(130, 71, 111) |
| HSL | hsl(319, 29%, 39%) |
| HSV | hsv(319, 45%, 51%) |
| CMYK | cmyk(0%, 45%, 15%, 49%) |
| CIE Lab | lab(38.6 31 -12.1) |
| OKLCH | oklch(0.483 0.096 340) |
Under warm 2700K interior light Grape Kiss shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 1.1), so it is a lighting-stable choice.
#844568 — ΔE 1.1, shifts subtly: leans toward red#85476d — ΔE 0.7, shifts subtly: leans toward red#82476f — ΔE 0.0, is virtually unchanged#824771 — ΔE 0.3, shifts subtly: leans toward purpleTest Grape Kiss in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 6.82:1 and against black 3.08:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d2a0c0 · #ae789b · #82476f · #652f54 · #3f1132 · #1a0012
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#a96e75 · #975a71 · #82476f · #663b69 · #4a305f · #302651
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d8aca3 · #ce8373 · #967169 · #82476f · #5f3050 · #411735
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#8ad8af · #b594a9 · #8b7883 · #82476f · #543549 · #301e2a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eaf5ef · #bcafb7 · #737a76 · #82476f · #4f414a · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5ee · #c0cec6 · #92a299 · #172b21 · #000903 · #82476f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d5d9b4 · #cd96cf · #3da398 · #82476f · #3f523b · #160621
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e2f8eb · #a2be8a · #0d8a85 · #82476f · #364e1b · #000202
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f6f3dd · #beb57b · #1f85a0 · #82476f · #004e61 · #060400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffefdd · #d3ab7d · #3c8a65 · #82476f · #1f4870 · #000401
#976185 · #AD7C9B · #C298B3 · #D7B4CA · #EDD1E2
#6E395D · #5A2B4C · #471E3B · #35122B · #24061C
#7B4D6C · #745268 · #6C5764
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.