#7B5867Royal Fig (#7B5867) is a mid-tone, muted pink with an OKLCH hue of 352°, lightness 0.5 and chroma 0.051. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #7B5867 |
|---|---|
| RGB | rgb(123, 88, 103) |
| HSL | hsl(334, 17%, 41%) |
| HSV | hsv(334, 28%, 48%) |
| CMYK | cmyk(0%, 28%, 16%, 52%) |
| CIE Lab | lab(41.5 16.9 -2.9) |
| OKLCH | oklch(0.502 0.051 352) |
Under warm 2700K interior light Royal Fig shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#7e5560 — ΔE 1.2, shifts subtly: leans toward red#7e5865 — ΔE 0.6, shifts subtly: leans toward red#7b5867 — ΔE 0.0, is virtually unchanged#7b5869 — ΔE 0.3, shifts subtly: leans toward purpleTest Royal Fig in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 6.12:1 and against black 3.43:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ccafbb · #a88795 · #7b5867 · #5f404d · #3b212d · #1a0610
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#a77976 · #97656e · #7b5867 · #6b4462 · #523758 · #3a2b4c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d6b7a9 · #c79079 · #957a6f · #7b5867 · #63394c · #452132
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#91d4be · #8f7f85 · #7b5867 · #573c48 · #38222b · #190b11
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ebf4f1 · #beb2b7 · #797f7d · #7b5867 · #53474c · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fdedf3 · #d6c3cb · #7b5867 · #321b25 · #0e0005 · #e5529e
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#fdedf3 · #d6c3cb · #7b5867 · #321b25 · #0e0005 · #dec44d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d9dcb7 · #d8a7d4 · #42a390 · #7b5867 · #364836 · #16051d
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e4f7f0 · #a1c09d · #3f8b91 · #7b5867 · #375433 · #000203
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f2f4e3 · #b7ba8e · #4c86a3 · #7b5867 · #215167 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#faf1e1 · #cab38b · #4b8d78 · #7b5867 · #374b6e · #000402
#90707D · #A58894 · #BBA2AC · #D1BCC4 · #E7D6DD
#674855 · #543844 · #412934 · #301B24 · #1F0E16
#765B66 · #725D66 · #6D6065
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.