#7A2E4DFlirt (#7A2E4D) is a dark, soft pink with an OKLCH hue of 358°, lightness 0.42 and chroma 0.111. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #7A2E4D |
|---|---|
| RGB | rgb(122, 46, 77) |
| HSL | hsl(336, 45%, 33%) |
| HSV | hsv(336, 62%, 48%) |
| CMYK | cmyk(0%, 62%, 37%, 52%) |
| CIE Lab | lab(30.9 36.4 -2) |
| OKLCH | oklch(0.419 0.111 358) |
Under warm 2700K interior light Flirt shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.8), so it is a lighting-stable choice.
#7b2c48 — ΔE 0.8, shifts subtly: leans toward red#7c2e4b — ΔE 0.5, shifts subtly: leans toward red#7a2e4d — ΔE 0.0, is virtually unchanged#7a2e4e — ΔE 0.2, is virtually unchangedTest Flirt in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 9.03:1 and against black 2.33:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d091a6 · #ad6881 · #7a2e4d · #641d3b · #3c001d · #110004
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#9a5a50 · #8c434d · #7a2e4d · #5f234c · #441947 · #2b0f3d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#c59a83 · #bb7045 · #835f4c · #7a2e4d · #561933 · #37001a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#69dcc3 · #a97e8c · #7c646c · #7a2e4d · #482230 · #240e16
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e8f5f2 · #b6a4a9 · #5f6866 · #7a2e4d · #413035 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f2 · #bdcec9 · #8fa29d · #112a25 · #000805 · #7a2e4d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dbfaf1 · #66bca9 · #007765 · #7a2e4d · #003f35 · #0e0003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#dbfaf1 · #83b989 · #007380 · #7a2e4d · #024115 · #000304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f0f5dc · #a4b170 · #046e9d · #7a2e4d · #003a56 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fbf1d9 · #c1a666 · #007765 · #7a2e4d · #203165 · #000302
#924D66 · #AA6B81 · #C28B9D · #D9ABB9 · #F1CBD7
#682440 · #571A34 · #461028 · #36071C · #270111
#72374D · #693E4D · #5F444D
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.