#DD11FFPinkman (#DD11FF) is a mid-tone, vivid magenta with an OKLCH hue of 321°, lightness 0.65 and chroma 0.308. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #DD11FF |
|---|---|
| RGB | rgb(221, 17, 255) |
| HSL | hsl(291, 100%, 53%) |
| HSV | hsv(291, 93%, 100%) |
| CMYK | cmyk(13%, 93%, 0%, 0%) |
| CIE Lab | lab(55.1 92 -69.6) |
| OKLCH | oklch(0.654 0.308 321) |
Under warm 2700K interior light Pinkman shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.3), so it is a lighting-stable choice.
#df14f0 — ΔE 2.3, shifts subtly: leans toward pink#e115fb — ΔE 1.1, shifts subtly: leans toward pink#dd11ff — ΔE 0.0, is virtually unchanged#de0eff — ΔE 0.2, is virtually unchangedTest Pinkman in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.75:1 and against black 5.6:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fadfff · #ee9dff · #dd11ff · #b600d2 · #810096 · #51005f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#b3a8ff · #be80ff · #dd11ff · #d500b7 · #c20079 · #ab0046
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ff8495 · #dd11ff · #b109cd · #a30039 · #600070 · #480014
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#42ea00 · #dd11ff · #885e91 · #782488 · #540162 · #2d0036
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e3fade · #dd11ff · #866a8c · #3d4b3a · #2b0e31 · #000200
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ecf5eb · #c2ccc1 · #959f92 · #192617 · #000500 · #dd11ff
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f5eec8 · #92fa41 · #dd11ff · #8b65b0 · #334437 · #0e082d
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f0f3cd · #96f0ca · #dd11ff · #7f7c4b · #39463a · #12072c
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fff0d6 · #dd11ff · #996d00 · #005155 · #002224 · #110700
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeee5 · #dd11ff · #b85600 · #115600 · #00202f · #000200
#E359FF · #E97FFF · #EE9EFF · #F3BBFF · #F8D6FF
#B800D5 · #9200AA · #6F0081 · #4D005B · #2E0037
#CE4CE8 · #BF67D2 · #AF79BA
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.