#FF00FFAlso known as Fuchsia.
Magenta (#FF00FF) is a light, vivid magenta with an OKLCH hue of 328°, lightness 0.7 and chroma 0.322. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF00FF |
|---|---|
| RGB | rgb(255, 0, 255) |
| HSL | hsl(300, 100%, 50%) |
| HSV | hsv(300, 100%, 100%) |
| CMYK | cmyk(0%, 100%, 0%, 0%) |
| CIE Lab | lab(60.3 98.2 -60.8) |
| OKLCH | oklch(0.702 0.322 328) |
Under warm 2700K interior light Magenta shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#ff00f0 — ΔE 2.2, shifts subtly: leans toward pink#ff02fb — ΔE 0.6, is virtually unchanged#ff00ff — ΔE 0.0, is virtually unchanged#ff00ff — ΔE 0.0, is virtually unchangedAgainst white it measures 3.14:1 and against black 6.7:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeafd · #ffa3fb · #ff00ff · #ca00ca · #930093 · #5f005f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffa7c1 · #ff7ccd · #ff00ff · #c33fff · #903eff · #5b3ef3
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffa09f · #ff00ff · #cf07cf · #bc002e · #780078 · #5d0011
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00eb63 · #ff00ff · #9d689b · #902b8f · #690b69 · #3f043f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#defbe1 · #ff00ff · #997697 · #425544 · #330f32 · #000200
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ebf5ec · #c1ccc2 · #93a094 · #172719 · #000600 · #ff00ff
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4ffd9 · #ff00ff · #009f40 · #006024 · #00290a · #060006
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d4ffd9 · #ff00ff · #7c8e00 · #005d4f · #1e2400 · #000302
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fff1ce · #ff00ff · #a37e00 · #005a65 · #00262b · #0d0600
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeee2 · #ff00ff · #c26900 · #006024 · #002338 · #000200
#FF5DFD · #FF84FC · #FFA3FB · #FFBFFB · #FFD8FC
#D200D2 · #A700A7 · #7E007E · #570057 · #340034
#ED50EB · #DB6FD8 · #C684C3
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.