#ED0DD9Fuchsia (#ED0DD9) is a mid-tone, vivid magenta with an OKLCH hue of 333°, lightness 0.65 and chroma 0.29. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #ED0DD9 |
|---|---|
| RGB | rgb(237, 13, 217) |
| HSL | hsl(305, 90%, 49%) |
| HSV | hsv(305, 95%, 93%) |
| CMYK | cmyk(0%, 95%, 8%, 7%) |
| CIE Lab | lab(55.4 89.3 -47.6) |
| OKLCH | oklch(0.654 0.290 333) |
Under warm 2700K interior light Fuchsia shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#ee07cc — ΔE 2.0, shifts subtly: leans toward pink#f10dd5 — ΔE 1.1, shifts subtly: leans toward pink#ed0dd9 — ΔE 0.0, is virtually unchanged#ee0bdc — ΔE 0.5, is virtually unchangedTest Fuchsia in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.71:1 and against black 5.66:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffddf8 · #ff96ee · #ed0dd9 · #c300b2 · #8b007f · #57004f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff8da9 · #ff5bb8 · #ed0dd9 · #bb25e4 · #892ee1 · #5932d2
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fe8880 · #ed0dd9 · #be06ae · #a50017 · #67005e · #490004
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e97f · #ed0dd9 · #8e5c86 · #802275 · #5b0152 · #31002c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#defae5 · #ed0dd9 · #8b6984 · #3a4c3f · #2f0d2a · #000601
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#eaf5ed · #c2cec5 · #96a499 · #1d2f22 · #000d03 · #ed0dd9
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dfe1bb · #41e389 · #ed0dd9 · #9266ae · #394935 · #15082b
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d2ffde · #ed0dd9 · #678200 · #00534a · #172100 · #000201
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fff2c6 · #ed0dd9 · #8d7300 · #00505d · #002128 · #0a0500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffefe0 · #ed0dd9 · #aa6200 · #00562a · #001f35 · #000601
#F64EE2 · #FF71EB · #FF97EE · #FFB7F2 · #FFD4F6
#C500B4 · #9D008F · #77006D · #53004C · #32002D
#DC4ACA · #CA64BB · #B778AC
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.